edited by Charlotte Mosley ‧ RELEASE DATE: Dec. 1, 1993
The first collection of Nancy Mitford's letters—which, like those of her British literary contemporaries (Evelyn Waugh, Harold Acton, Cyril Connolly, et. al), reflect a wit and style that never quite mask an underlying anguish at a world changed too much. Born in 1904 and dying in Paris in 1973, Mitford was a diligent correspondent who left behind more than a thousand letters. This collection (edited by her niece), spanning more than 60 years and a hundred correspondents, includes not only letters that provide an epistolary history of Mitford's life but also those that illuminate her relationship with her famous peers and equally famous—or, as often, notorious—sisters: Jessica, author of The American Way of Death; Unity, admirer of Hitler; and Diana, wife of British fascist Sir Oswald Mosley. Like her friend Anthony Powell's Dance to the Music of Time, Mitford's letters are written to or about that brilliant between-the-wars-generation that connected and reconnected in the company of interesting people in stylish milieus like the British embassy in Paris; Chatsworth, the ducal home of Mitford's youngest sister; and the Guinness's Irish castle. Many names here will be unfamiliar—and the need to consult footnotes is an irritant—but what makes the reading worthwhile are letters like the one in which Mitford relates Evelyn Waugh's answer when asked how he reconciled being so horrible with being a Christian. ``He replied rather sadly that were he not a Christian he would be even more horrible.'' Mitford writes with great wit and plucky panache- -making the best of an often unhappy personal life—about her writing, her friends, and contemporary events: the bombing raids in wartime London, Dior's ``New Look,'' the 1968 riots in Paris, etc. A welcome addition to literary history that poignantly recalls the glittering youth and not-so-bright decline and fall of all those ``bright young things'' whom Mitford and Waugh wrote about so well elsewhere. (Photographs)
Pub Date: Dec. 1, 1993
ISBN: 0-395-57041-7
Page Count: 544
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1993
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edited by Charlotte Mosley
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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