by Charlotte Offsay ; illustrated by Katie Rewse ‧ RELEASE DATE: March 1, 2021
Simple enough for preschool and kindergarten listeners but an effective introduction to a worldwide problem.
Disappointed when the end-of-summer sand-castle competition is postponed due to beach conditions, Cora starts campaigns to clean the beach and to avoid creating more plastic trash.
The storyline of this thinly disguised lesson is straightforward. The aspiring castle-contest–contestant tries to clean up the beach, finds the task overwhelming, discovers that people are often too busy to pick up the accumulated trash but can help in other ways, learns about animals thinking trash is food, enlists some friends, and, with other contestants on the trash-free beach, gets to build her castle after all. What distinguishes the presentation are Rewse’s colorful illustrations. They suggest a seaside community with a diverse population, palm trees, plenty of sun and sand, and, unfortunately (and all too realistically), a beach strewn with familiar plastic trash. Cora and her mother have brown skin and long textured hair, and there’s a pleasing variety of skin tones, hair colors and styles, and generations among the simply depicted characters. The beach-cleaners all wear gloves or use trash-picking poles. The final spread shows the sand-castle competition, and though Cora’s construction looks like a grand place to live, readers can see that others are even more complex or imaginative. But that’s not the end. Cora’s new project is a trash-reducing campaign. An author’s note provides more information about plastic trash and ways to avoid creating it.
Simple enough for preschool and kindergarten listeners but an effective introduction to a worldwide problem. (Picture book. 4-8)Pub Date: March 1, 2021
ISBN: 978-0-8075-0801-5
Page Count: 32
Publisher: Whitman
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
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by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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by Susan Verde ; illustrated by Juliana Perdomo
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by Susan Verde ; illustrated by Peter H. Reynolds
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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