An involving, well-constructed sci-fi tale of survival.
A sci-fi variation on the story of Adam and Eve.
In Sadaphal’s post-apocalyptic tale, a spacecraft pilot named Asher Grant, “a misplaced journeyman without a map and a sense of direction,” returns to Earth only to find it radically changed: The cities are in ruins; the countryside is a wasteland; and there are corpses everywhere. After a short, harrowing interval, he spots a living figure in the distance, and they run toward each other. Evelyn Coble tells Asher she awoke to find herself in the ruins and has been wandering for days. He shares rations with her from his ship, but even as they’re tentatively getting to know each other, they’re vaguely aware that each is keeping secrets from the other and that those secrets involve the catastrophe that reduced the world to rubble. In a series of intricate flashbacks, readers learn that complicated back story piecemeal. It’s a tale involving the global power grab by a small group of “technocrats” who initially used tools such as the media, bioengineered foods, aerosols in the air, medicated water and cybernetic mind control (called the Collective) to subjugate the masses. When a desperate man named Linus Benjamin manages to shut down the Collective, on which the whole world has come to rely, global chaos swiftly follows. Evelyn’s hidden past connects her with Linus Benjamin, just as Asher’s past connects him with something called The Omega Strain, a weird synapse-destroying infection that is equally lethal to humans, animals and complex machines. In the flashbacks, we see Asher and Evelyn in their pre-disaster lives, and in the book’s present, we see them grappling with their bleak new world, attempting to find other survivors and trying—with comically little success—to warm up to each other, since they’re nothing alike. Sadaphal is a sharply observant narrator with a fine sense of pathos, and he paces his story with several well-turned surprises.
An involving, well-constructed sci-fi tale of survival.Pub Date: July 11, 2013
ISBN: 978-0989223300
Page Count: 204
Publisher: CreateSpace
Review Posted Online: Sept. 27, 2013
Kirkus Reviews Issue: Nov. 1, 2013
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
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