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GODSHOT

A dark, deft first novel about the trauma and resilience of both people and the land they inhabit.

A young teen ensnared in a cult becomes obsessed with finding her exiled mother.

Peaches is a small town near Fresno, in California’s Central Valley. Once the raisin capital of the world, now Peaches is drought-ridden, with empty canals and residents in perpetual thirst. Large numbers of townspeople have turned to Pastor Vern, a Christ-like figure who promises that, if his congregants follow him and complete their “assignments,” the rains will fall on Peaches again. (In the meantime, the churchgoers get baptized in cola.) Fourteen-year-old Lacey May, who lives with her alcoholic mother, doesn’t know what her mother’s assignment is; she only knows that she disappears somewhere unknown during the day and can’t seem to stay out of trouble with Pastor Vern. When Lacey’s mother is banished from the congregation and leaves town, Lacey must go live with her eccentric grandmother Cherry, an exuberant follower of the Gifts of the Spirit church. After Lacey is finally given a horrific assignment of her own, she is determined to find out where her mother has gone and what she knew about Pastor Vern’s unsavory plans for the town of Peaches. Bieker has written a debut that joins Emma Cline’s The Girls and R.O. Kwon’s The Incendiaries in exploring the uneasy intersection of repressive religious belief and burgeoning sexuality, but Bieker’s exploration of the way that poverty and environmental ravishment also add to the subjugation of the female body adds more rich layers to this narrative. It’s a lot to juggle, but Lacey May is such a strong narrator, at once deeply insightful and painfully naïve, that readers will eagerly want to follow all the threads to the breathless conclusion.

A dark, deft first novel about the trauma and resilience of both people and the land they inhabit.

Pub Date: April 1, 2020

ISBN: 978-1-948226-48-6

Page Count: 336

Publisher: Catapult

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

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Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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  • New York Times Bestseller


  • Pulitzer Prize Winner


  • National Book Award Finalist

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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