An unnerving but uneven thriller.
Cass is obsessed with figuring out who murdered her worst bully—because they followed her very own plan.
Cass is known for having survived a fire as a child. Her brother pulled her out—but her friend Sara wasn’t so lucky. Now, she’s tormented by Melody, Sara’s cousin. Cass is called “Fire Girl” and treated as a loose cannon; only her best friend, Gideon, views her without stigma. One night at a party, Cass gets drunk and details how she’d kill Melody, outlining the perfect murder plot. When Melody and the notebook containing Cass’ plans are missing, Cass becomes paranoid and frantic. She receives threatening texts but daren’t tell the police in case they find out about her notebook. Her need to find the murderer distances her from Gideon as she hides information from him, too afraid he’ll start seeing her like everyone else does. She careens into her own reckless investigation, no longer able to draw a clear line between the girl she once knew herself to be and the vengeful Fire Girl she’s perhaps been all along. Cass’ feverish journey becomes repetitive as she hammers on the same suspects with little success. Rather than being led along a tightly drawn line of suspense, it feels like running full force into walls. However, the reveal on the other side is both well earned and eerie. All major characters are white.
An unnerving but uneven thriller. (Fiction. 14-18)Pub Date: June 2, 2020
ISBN: 978-1-72821-052-0
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: March 10, 2020
Kirkus Reviews Issue: April 1, 2020
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)
In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.
Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)Pub Date: March 22, 2016
ISBN: 978-1-4814-4935-9
Page Count: 384
Publisher: McElderry
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 1, 2016
A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come.
A heady blend of courtly double-crossing, Faerie lore, and toxic attraction swirls together in the sequel to The Cruel Prince (2018).
Five months after engineering a coup, human teen Jude is starting to feel the strain of secretly controlling King Cardan and running his Faerie kingdom. Jude’s self-loathing and anger at the traumatic events of her childhood (her Faerie “dad” killed her parents, and Faerie is not a particularly easy place even for the best-adjusted human) drive her ambition, which is tempered by her desire to make the world she loves and hates a little fairer. Much of the story revolves around plotting (the Queen of the Undersea wants the throne; Jude’s Faerie father wants power; Jude’s twin, Taryn, wants her Faerie betrothed by her side), but the underlying tension—sexual and political—between Jude and Cardan also takes some unexpected twists. Black’s writing is both contemporary and classic; her world is, at this point, intensely well-realized, so that some plot twists seem almost inevitable. Faerie is a strange place where immortal, multihued, multiformed denizens can’t lie but can twist everything; Jude—who can lie—is an outlier, and her first-person, present-tense narration reveals more than she would choose. With curly dark brown hair, Jude and Taryn are never identified by race in human terms.
A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come. (map) (Fantasy. 14-adult)Pub Date: Jan. 8, 2019
ISBN: 978-0-316-31035-2
Page Count: 336
Publisher: Little, Brown
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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