An enjoyable-enough read for high-fantasy fans and readers with a substantial tolerance for blood
In this sequel to The Last Changeling (2014), set entirely in Faerie, faerie princess and revolutionary Elora, supported by Taylor and a handful of other human stalwarts, continues her mission to free the faerie underclass as conflict between Bright and Dark intensifies.
Relying on the Seelie Court to help free her people from her mother’s brutal regime, Elora lays her plans. Shorn of her wings, she finds comfort and healing in Taylor’s arms as they prepare for the struggles ahead; making and learning to use new weapons keep the humans occupied. Discovering their old nemesis, the unspeakable Brad, badly injured, they realize that the dark faeries aren’t their only enemies. As the plot shifts from Seelie to Unseelie realms, the plot grows increasingly violent—humans are tortured, torrents of blood are shed, limbs are hacked off. (In contrast to this, Faerie overall is vaguely rendered, thanks to inconsistent worldbuilding.) Interrupting vividly detailed bouts of torture, alternate narrators Elora and Taylor muse elegiacally on ends vs. means; eventually the action slows to a crawl as characters make long speeches. Turgid, high-fantasy melodrama was absent from the first outing, where ethereal Elora’s attempts to fit into all-too-real high school culture made for humor and grounded the plot in our familiar world. Fortunately, Taylor’s distinctive voice and smart, self-deprecating humor remain narrative strengths that mask structural failings.
An enjoyable-enough read for high-fantasy fans and readers with a substantial tolerance for blood . (Fantasy. 14-18)Pub Date: Nov. 8, 2015
ISBN: 978-0-7387-4349-3
Page Count: 408
Publisher: Flux
Review Posted Online: Aug. 25, 2015
Kirkus Reviews Issue: Sept. 15, 2015
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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