An enjoyable-enough read for high-fantasy fans and readers with a substantial tolerance for blood
In this sequel to The Last Changeling (2014), set entirely in Faerie, faerie princess and revolutionary Elora, supported by Taylor and a handful of other human stalwarts, continues her mission to free the faerie underclass as conflict between Bright and Dark intensifies.
Relying on the Seelie Court to help free her people from her mother’s brutal regime, Elora lays her plans. Shorn of her wings, she finds comfort and healing in Taylor’s arms as they prepare for the struggles ahead; making and learning to use new weapons keep the humans occupied. Discovering their old nemesis, the unspeakable Brad, badly injured, they realize that the dark faeries aren’t their only enemies. As the plot shifts from Seelie to Unseelie realms, the plot grows increasingly violent—humans are tortured, torrents of blood are shed, limbs are hacked off. (In contrast to this, Faerie overall is vaguely rendered, thanks to inconsistent worldbuilding.) Interrupting vividly detailed bouts of torture, alternate narrators Elora and Taylor muse elegiacally on ends vs. means; eventually the action slows to a crawl as characters make long speeches. Turgid, high-fantasy melodrama was absent from the first outing, where ethereal Elora’s attempts to fit into all-too-real high school culture made for humor and grounded the plot in our familiar world. Fortunately, Taylor’s distinctive voice and smart, self-deprecating humor remain narrative strengths that mask structural failings.
An enjoyable-enough read for high-fantasy fans and readers with a substantial tolerance for blood . (Fantasy. 14-18)Pub Date: Nov. 8, 2015
ISBN: 978-0-7387-4349-3
Page Count: 408
Publisher: Flux
Review Posted Online: Aug. 25, 2015
Kirkus Reviews Issue: Sept. 15, 2015
BOOK REVIEW
BOOK REVIEW
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
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