An enjoyable-enough read for high-fantasy fans and readers with a substantial tolerance for blood

THE LAST FAERIE QUEEN

In this sequel to The Last Changeling (2014), set entirely in Faerie, faerie princess and revolutionary Elora, supported by Taylor and a handful of other human stalwarts, continues her mission to free the faerie underclass as conflict between Bright and Dark intensifies.

Relying on the Seelie Court to help free her people from her mother’s brutal regime, Elora lays her plans. Shorn of her wings, she finds comfort and healing in Taylor’s arms as they prepare for the struggles ahead; making and learning to use new weapons keep the humans occupied. Discovering their old nemesis, the unspeakable Brad, badly injured, they realize that the dark faeries aren’t their only enemies. As the plot shifts from Seelie to Unseelie realms, the plot grows increasingly violent—humans are tortured, torrents of blood are shed, limbs are hacked off. (In contrast to this, Faerie overall is vaguely rendered, thanks to inconsistent worldbuilding.) Interrupting vividly detailed bouts of torture, alternate narrators Elora and Taylor muse elegiacally on ends vs. means; eventually the action slows to a crawl as characters make long speeches. Turgid, high-fantasy melodrama was absent from the first outing, where ethereal Elora’s attempts to fit into all-too-real high school culture made for humor and grounded the plot in our familiar world. Fortunately, Taylor’s distinctive voice and smart, self-deprecating humor remain narrative strengths that mask structural failings.

An enjoyable-enough read for high-fantasy fans and readers with a substantial tolerance for blood . (Fantasy. 14-18)

Pub Date: Nov. 8, 2015

ISBN: 978-0-7387-4349-3

Page Count: 408

Publisher: Flux

Review Posted Online: Aug. 26, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Black is building a complex mythology; now is a great time to tune in.

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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