A convincing case for rejecting the prevailing policies of “assimilation, control, intrusion and coercion” regarding...
A Canadian explores the many misconceptions about her country’s indigenous citizens.
There are about 1.4 million aboriginal people in Canada, representing about 4 percent of its population. Although the country has an official policy of multiculturalism, these citizens still face discrimination, poverty, high unemployment, and stereotypes portraying them as lazy and unsuited to the modern world. In this book, Vowel, a lawyer and member of the Métis Nation of Alberta, explores aboriginal issues from almost every conceivable angle, challenging “myths that have become so rooted in the Canadian consciousness, they are taken as fact and rarely examined” and suggesting alternatives to the policy failures of the past. “So many of what are suggested today as ‘solutions’ have been tried—not only failing, but causing horrific damage along the way,” she argues. The book is essentially a collection of essays about various indigenous-related topics, a polemical approach that can be somewhat dense and wonkish but is leavened by the author’s caustic style and astute insights. For example, an adoption program for indigenous children that began in the 1960s, Vowel writes, “picked up where residential schools left off, removing children from their homes, and producing cultural amputees.” Among the “widespread and pernicious” myths that she addresses are that First Nations people don’t pay taxes (“most Indigenous peoples don’t get tax exemptions”) and are more prone to alcoholism. The author also brings alive the tragedy of the relocation of Inuit families in the 1950s and the killing of their sled dogs by the Royal Canadian Mounted Police. The Inuit saw the slaughter as a way for authorities to force them “to remain in permanent settlements, without the possibility of returning to their traditional way of life,” she explains. Some readers may get lost in the policy details and legal nuances here, but Vowel makes a solid argument in this book.
A convincing case for rejecting the prevailing policies of “assimilation, control, intrusion and coercion” regarding aboriginal people.Pub Date: Sept. 9, 2016
ISBN: 978-1-55379-680-0
Page Count: 240
Publisher: Portage & Main
Review Posted Online: Aug. 19, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Review Program: Kirkus Indie
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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