Basing her novel on a one-page story written by an 11-year-old child shortly before her death from leukemia, Bennett (Life in the Fat Lane, 1998, etc.) creates a tale of courage personified. A herd of miniature zebras appears before Becky Zaslow on the day she is diagnosed with childhood cancer—leukemia. During times of painful treatment, the zebras take Becky away to Africa and the Serengeti where they fight off tough predators, cross the treacherous crocodile-filled Mara River, and tell tales about Zink, a mythological polka-dotted zebra. Becky’s secret journal outlines the course of each treatment and is interspersed with the tale of these playful zebras; they help her to remain courageous despite her fears. The zebras, not medical professionals, prepare Becky for death when her bone marrow transplant fails and she succumbs to a respiratory infection. As one of the zebras, Ice Z, tells her, “True courage is admitting we’re afraid and fighting the predators anyway.” After her death, Becky, as Zink, joins the zebra herd. With three pages of acknowledgments and a lengthy afterword, readers may gain more than they need to know about the true aspects of this poignant story, but the embellishments don’t interfere with the raw emotions explored, or the power of Becky’s journey as she learns to run with the herd. (glossary) (Fiction 11-13)
Pub Date: Oct. 1, 1999
ISBN: 0-385-32669-6
Page Count: 222
Publisher: Delacorte
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Oct. 15, 1999
Categories: GENERAL FICTION | TEEN SOCIAL THEMES
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This vibrant, thoughtful book from Katz (Over the Moon, 1997) continues her tribute to her adopted daughter, Lena, born in Guatemala. Lena is “seven. I am the color of cinnamon. Mom says she could eat me up”; she learns during a painting lesson that to get the color brown, she will have to “mix red, yellow, black, and white paints.” They go for a walk to observe the many shades of brown: they see Sonia, who is the color of creamy peanut butter; Isabella, who is chocolate brown; Lucy, both peachy and tan; Jo-Jin, the color of honey; Kyle, “like leaves in fall”; Mr. Pellegrino, the color of pizza crust, golden brown. Lena realizes that every shade is beautiful, then mixes her paints accordingly for portraits of her friends—“The colors of us!” Bold illustrations celebrate diversity with a child’s open-hearted sensibility and a mother’s love. (Picture book. 6-8)
Pub Date: Sept. 1, 1999
ISBN: 0-8050-5864-8
Page Count: 28
Publisher: Henry Holt
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1999
Categories: GENERAL FICTION
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PLB 0-679-99369-X Inspired by local versions of a popular Japanese folktale, Sierra (Antarctic Antics, 1998, etc.) recasts a yarn that usually stars Momotaro, or “Peach Boy,” with a female lead. When giant, ogre-like oni take away all the village’s babies to make snacks of their tasty navels, little Uriko-hime is left behind; she was born from a melon, and so has no belly button. Gathering up a small band of animal companions along the way, Uriko tricks the monsters into walloping themselves with clubs, and rescues the children, leaving delicious millet dumplings behind in consolation. Clad in a flowing, watermelon-colored kimono, Uriko makes a doughty heroine, equally skilled in cookery and swordplay; So’s art has a traditional look, with theatrically gesturing figures, busy crowd scenes, and energetic brushwork. A vigorously told comic adventure. (Picture book/folklore. 7-9)
Pub Date: May 1, 1999
ISBN: 0-679-89369-5
Page Count: 40
Publisher: Knopf
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: May 1, 1999
Categories: GENERAL FICTION
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