Next book

FUNERAL SONGS FOR DYING GIRLS

Atmospheric, intimate, and melodic; the rich storytelling sings.

Nearly 16-year-old Winifred Blight’s life is forever changed when she falls in love with a ghost.

Business is bad at Toronto’s Winterson Cemetery. This means trouble for Winifred and her father, Thomas, the chief crematory operator. If the cemetery closes, Thomas will lose his job and they’ll have to move out of their apartment above the admin offices. It’s just been Winifred and her White father since her mother, Mary Kalder, who was Métis from Georgian Bay with Romanian traveler ancestry, died during childbirth. Now, Winifred tries to find a way to save her home while navigating the humiliating and humbling trials that come with growing up in a cemetery, including being ostracized at school by peers who call her Wednesday Addams. As things look increasingly hopeless, a man who runs local ghost tours inquires about adding the cemetery to their itinerary. It would bring in money, which would be a good thing. But is the cemetery truly haunted? The “ghost” tourists spotted was actually friendless, bereft Winifred, dressed in a cape and curled up at the base of an obelisk. Complicating matters, she falls for Phil, the apparition of a 15-year-old girl who died of an overdose on the cemetery grounds. Winifred is an engaging lead with an emotional and fulfilling journey. Artfully melding horror, deadpan humor, and an impossible romance, this well-crafted narrative from Dimaline (Métis) follows lived-in characters who are tortured by grief.

Atmospheric, intimate, and melodic; the rich storytelling sings. (Fiction. 14-18)

Pub Date: April 4, 2023

ISBN: 9780735265639

Page Count: 280

Publisher: Tundra Books

Review Posted Online: Jan. 9, 2023

Kirkus Reviews Issue: Feb. 1, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 16


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller

Next book

SOLO

A contemporary hero’s journey, brilliantly told.

Awards & Accolades

Likes

  • Readers Vote
  • 16


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller

The 17-year-old son of a troubled rock star is determined to find his own way in life and love.

On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.

A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)

Pub Date: Aug. 1, 2017

ISBN: 978-0-310-76183-9

Page Count: 464

Publisher: Blink

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

Awards & Accolades

Likes

  • Readers Vote
  • 60


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

Awards & Accolades

Likes

  • Readers Vote
  • 60


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

Close Quickview