As an entree into the world of mathematics, this portrait of a quiet heroine is elegant, striking, and sure to inspire.
A girl mathematician? Impossible!
“Telling Sophie not to think about math was like telling a bird not to soar,” but that’s exactly what people did. Growing up a middle-class, white female in late-18th-century France, Sophie Germain was discouraged from studying, especially from studying math, a discipline reserved for educated men. Markers, gouache, and elements of collage energetically power illustrations that are often filled with numbers, expanding on the appealing text and emphasizing the concept of vibration that Sophie later illuminated. She sneaked out of bed to learn the basics, corresponded anonymously with experts, and struggled for fair treatment. Becoming a mathematician was challenging, but as the story’s repeating, titular refrain states, “nothing stopped Sophie”—not the French Revolution, not the sexism of the time, and not the mathematical complexities she worked through to discover the formula that made her the eventual winner of a prestigious academic contest. Resilience is the focus here, as well as the groundbreaking nature of her work; Sophie with her quiet focus and staunch dedication was able to make a difference by predicting patterns of vibration, information later used in architecture, as well as paving the way for other women in the field and, by implication, girls learning about math today.
As an entree into the world of mathematics, this portrait of a quiet heroine is elegant, striking, and sure to inspire. (biographical and historical notes, bibliography, author’s note, illustrator’s note) (Picture book/biography. 6-10)Pub Date: June 12, 2018
ISBN: 978-0-316-27820-1
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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