by Cheryl DaVeiga ‧ RELEASE DATE: June 11, 2024
A solid picture book for families looking for a new spin on car-racing stories.
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Noah Gouda craves a victory in a lunar car-racing competition in DaVeiga’s picture book.
Noah lives on a moon made of cheese and dreams of driving in its biggest race: the Great Amoonican Grand Brie. A year out from the big event, Noah and best friend Bleu build their racer, the Muenster Monster. They’re thrilled by their creation until they realize that Noah is too short to reach the pedals. By the time the Grand Brie rolls around, Noah has grown enough to drive the car, so he and Bleu enter the race at the last second. They’re up against a number of formidable opponents like Mac N. Cheese, Gorgonzilla, Hank the Hunk, and Betty Cheddar. The Monster’s competition slowly falls away until it’s just Noah and Bleu against Betty in the final turns of the track. This fresh installment in the Biff Bam Booza series is chock-full of cheese-based wordplay, from Noah Gouda’s name to “It could happen, you know? Once in a Bleu moon!” Peres’ illustrations pull inspiration from the bold lines, panels, and dialogue bubbles of comics illustrations to enhance the excitement. Although Noah’s problems solve themselves at two key moments rather too miraculously, that still doesn’t spoil what is ultimately a fun read.
A solid picture book for families looking for a new spin on car-racing stories.Pub Date: June 11, 2024
ISBN: 9781958050125
Page Count: 43
Publisher: Waterhole Productions LLC
Review Posted Online: July 15, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Review Program: Kirkus Indie
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 3, 2021
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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