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GO

A KIDD'S GUIDE TO GRAPHIC DESIGN

Not for artists only; an engaging introduction to a critical feature of our modern, design-rich environment.

Beginning with the striking cover design—a red stop sign reading “GO”—this book challenges our assumptions about what we see and read.

Kidd skillfully uses typography and illustration to demonstrate how graphic design informs the ways we make decisions that affect our lives. In his introduction, he emphasizes that graphic design, unlike industrial or architectural design, is “purely a head trip, from your eyes to your mind.” We are bombarded with thousands of images every day, all of which influence our decisions about what to wear, do, see or buy. Everything that is not made by nature is designed by someone, even such mundane objects as TV remotes and baseballs. Beginning with a comprehensive analysis of form, Kidd explains key fundamentals of design in an engaging, colorful style, with extensive visual references to his own and others’ designs and an eclectic range of ephemera, from book covers to razor-blade wrappers. Budding graphic designers will relate to his emphasis on the importance of developing one’s own visual style; the 10 design projects at the end include, appropriately, creating your own visual identity. In spite of its trendy presentation, this book is firmly rooted in traditional graphic design for printed products; the specific technical knowledge required today to design for the Web is not touched upon.

Not for artists only; an engaging introduction to a critical feature of our modern, design-rich environment. (further resources) (Nonfiction. 13 & up)

Pub Date: Oct. 8, 2013

ISBN: 978-0-7611-7219-2

Page Count: 160

Publisher: Workman

Review Posted Online: Aug. 27, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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JUST WRITE

HERE'S HOW

Good advice on the craft of writing from someone who should know.

The third National Ambassador for Young People’s Literature offers a how-to guide for young writing enthusiasts.

Who’s more qualified to write about the craft of writing than Myers, one of the biggest names in children’s literature and author of 100 works for young readers? Though this volume is far from flashy, the straightforward, no-nonsense, you-can-do-it tone may well inspire young readers and beginning writers. Myers tells about his own life and how he became a writer before moving on to the craft itself, offering advice on structuring fiction using a six-box outline and nonfiction with a four-box outline. Excerpts from his own notebooks and commentaries on his work with teen writer Ross Workman (Myers' collaborator on the soccer novel Kick, 2011; Workman contributes to the backmatter) are enlightening, and readers will find themselves in the presence of a friendly mentor and writing co-conspirator. Ultimately, since writers draw on their own lives and interests, this is a writer’s guide to life. Myers advises, “The best way to find inspiration is just to live your life doing these things that interest you most…. Pursuing your passions will expand your world. This will make you a better writer.”

Good advice on the craft of writing from someone who should know. (writing tips, further reading on writing, about the author, a list of the author’s books) (Nonfiction. 14 & up)

Pub Date: April 24, 2012

ISBN: 978-0-06-220389-2

Page Count: 176

Publisher: Collins

Review Posted Online: April 3, 2012

Kirkus Reviews Issue: April 15, 2012

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ART IS EVERY DAY

ACTIVITIES FOR THE HOME, PARK, MUSEUM, AND CITY

Though not for the rank amateur, a handy resource for artistically minded teens and adults who work with children.

Just add water (and a little paper, some crayons and pencils) for instant and inspiring art projects.

This third art-education book by Prince is a deep well of resources for experienced teachers who want to supplement their existing curriculum or for a caregiver who is in search of a meaningful project to share with a child. Prince touches upon such topics as how to define art, how pervasive visual communication is in our world, and how vital it is that we become “bilingual” in the language of art. She also discusses the benefits of having students keep portfolios and the importance of honest criticism and praise when critiquing children's artwork. Included is a concise and user-friendly overview of various elements and principles of art, such as contrast, texture and composition, as well as a beautifully simple discussion about color, including definitions of hue, value and intensity, and primary, complementary and tertiary colors. There are more than 65 easy-to-follow projects neatly divided into the activities' environments: lessons for an afternoon in the city, the park, at the art museum or at home. The author even includes a referenced cross-index that lists the specific principles and elements taught in each project. Most lessons are, by design, suited for children as well as adults, and the supplies required are generally inexpensive and easily obtainable. Photographs and illustrations of the projects and principles add a visual dimension.

Though not for the rank amateur, a handy resource for artistically minded teens and adults who work with children. (Nonfiction. 14 & up)

Pub Date: June 1, 2012

ISBN: 978-1-56976-715-3

Page Count: 224

Publisher: Zephyr/Trafalgar

Review Posted Online: April 25, 2012

Kirkus Reviews Issue: May 15, 2012

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