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IT'S TIME TO HUSH AND SAY GOOD NIGHT

Sure to calm children at bedtime—and then to enliven their dreams.

A parent comforts a child with a lullaby.

Tucking the little one in, the parent reads a book that leads the child on a magical journey. As the two wander through deep jungles and “merry streams,” they gaze at all the sleeping creatures. Peacocks, owls, fish, bears, and other animals drift, swirl, and whirl around them. Though the youngster is reluctant to give in to sleep, the parent says to “hand your sobs / to roaring seas. / Gift your rage to / the swarming bees.” Slowly and gently, as the child falls asleep, the parent keeps up the refrain: “Count the stars that twinkle bright. / It’s time to hush and say good night.” It all ends with a good-night kiss and the parent’s promise to welcome the little one at sunrise. This is a soothing look at a shared nighttime ritual between a parent and child. Despite some abrupt transitions, the gentle rhyme is quietly comforting. The colorful and bold illustrations in deep reds and indigo blues merge into an inky black night and add a sense of wonder and whimsy. The characters are brown-skinned; their attire hints at South Asian heritage, and in a note, Soundar mentions that she was inspired by traditional Indian lullabies.

Sure to calm children at bedtime—and then to enliven their dreams. (Picture book. 3-7)

Pub Date: Oct. 1, 2024

ISBN: 9781536235531

Page Count: 32

Publisher: Candlewick

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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