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MANGOES, MISCHIEF, AND TALES OF FRIENDSHIP

STORIES FROM INDIA

Readers who are familiar with traditional Indian folktales will recognize these well-known stories; readers new to them may...

Eight traditional Indian folktales are retold in new, original settings.

Prince Veera and his good friend Suku, the farmer’s son, enjoy “play[ing] court,” following the example of wise King Bheema. When the king is unwell one day, the two 10-year-olds get permission to hear and judge some simple cases. Does the greedy merchant who makes delicious sweets deserve to be paid by the people who smell their intense fragrance? Did the pot that one neighbor gave to another for safekeeping contain jewels or mango pickles? How do you find out how many crows live in the city? The stories stand alone, as Prince Veera and Suku discuss and ponder, ask questions, and roam about while they contemplate their decisions. The text is simple and has some cultural details, giving a peek into traditional Indian life, but offers very little context or background. A notable omission is that no women or girls are included in any of the stories except one. No backmatter is included, no sources are mentioned, and there is no indication of the time period when these stories take place, detracting from the full enjoyment of these retellings. Krishnaswamy’s energetic black-and-white spot art offers authentic glimpses of Indian life, with illustrations of people, birds and animals, the marketplace, the countryside, and more.

Readers who are familiar with traditional Indian folktales will recognize these well-known stories; readers new to them may enjoy their quiet simplicity and the wisdom of the two young protagonists. (Fiction. 7-10)

Pub Date: Jan. 1, 2019

ISBN: 978-1-5362-0067-6

Page Count: 192

Publisher: Candlewick

Review Posted Online: Dec. 21, 2018

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BROTHER WOLF OF GUBBIO

A LEGEND OF SAINT FRANCIS

In simple, lyrical language, accompanied by richly colored paintings, newcomer Santangelo tells a story of how friendship and trust replaced fear and hatred. Once, a very long time ago, a lone wolf was “old and tired, and a new young leader had taken his place.” The wolf remained behind, near an Italian mountain village as his pack moved on. The next morning, to his surprise and good fortune, a young lamb strayed from its flock and appeared right in front of him. Gathering his last bit of energy the old wolf pounced and filled his empty belly. Over the next few weeks the wolf stole a lamb here, a goat there, and even wandered into the town. The town’s people didn’t see an ancient, wretched lone wolf. Their imagination and fear had created a monster so big and terrible that they could barely leave their homes. The baker grew tired of being afraid and set out for the village of Assisi, where a man named Francis lived. They had heard that Francis could tame the wildest of beasts. Santangelo creates unique illustrations by using ink and colored pencil on wood panels (bordered in gold leaf), laid out in a style reminiscent of segments of stained glass. Santangelo’s palette is slightly dark and muddy, which feels at odds with the reference to cathedral windows. However, the deep purples, greens, and blues are applied in a pattern of staining that allows the wood grain to show through, and the overall effect is quite lovely. A promising debut. No source notes. (Nonfiction. 8-10)

Pub Date: Nov. 1, 2000

ISBN: 1-929766-07-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2000

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CLARA LEE AND THE APPLE PIE DREAM

Dreaming of being the Apple Pie Princess in her town’s Apple Blossom Festival, Korean-American third grader Clara Lee defies a classmate who claims to be more deserving and bravely makes a speech in front of the whole school to win the honor. This appealing family-and-school story focuses as much on Clara Lee’s relationships with her little sister, Emmeline, and her “dream genius” grandfather as it does on her friends and the competition. Han, who has previously written about teens (The Summer I Turned Pretty, 2009) and preteens (Shug, 2006), captures an 8-year-old’s perspective perfectly. The first-person narrative includes imaginative play, family squabbles, the school-bus experience and a touching speech about the special joys of small-town life. Her grandfather assures her: “One hundred percent American. One hundred percent Korean. Doesn’t make you less than anybody else. It makes you more.” The message shines through but doesn’t overwhelm this engaging chapter book that will be welcomed by middle-grade fans of Clementine. Final art not seen. (Fiction. 7-10)

 

Pub Date: Jan. 4, 2011

ISBN: 978-0-316-07038-6

Page Count: 160

Publisher: Little, Brown

Review Posted Online: Dec. 24, 2010

Kirkus Reviews Issue: Nov. 15, 2010

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