A memorable / and innovative story / of one wrenching year.
Seventeen-year-old Ashe Douglas records the events of 1968 in a novel in haiku.
Ashe was born on May 17, 1951, and is a senior in high school during the year he decides to describe in haiku, liking the tidiness of the three-line, 17-syllable form. The year is 1968, when more soldiers died in the Vietnam War than in any other year. Ashe decides not only to write haiku, but to dedicate a syllable to each soldier killed—976 haiku equals 16,592 syllables equals the number of soldiers killed in 1968. An entire story “contained by a syllable count.” Not only is that asking a lot of its diminutive form, but so much happened in 1968: the war, race riots, the assassinations of Martin Luther King Jr. and Robert F. Kennedy, let alone Ashe’s family life, which resembles a war zone. Haiku stanzas just can’t contain it all, being ill equipped for the depth or context necessary for a rich historical novel. But what transcends contrivance and gimmickry is Ashe’s voice, and haiku are well-suited to carry that. With newspaper headlines, death tolls, and overwhelming world, national and domestic events in the background, one boy’s clear and earnest voice records his life: “I’ll / write what needs to be / remembered and leave it to / you to fill in the gaps.”
A memorable / and innovative story / of one wrenching year. (historical note, author’s note) (Historical fiction/poetry. 12-16)Pub Date: Oct. 7, 2014
ISBN: 978-0-544-30215-0
Page Count: 208
Publisher: HMH Books
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s the haunting details of those around Kai that readers will remember.
Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.
With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.
It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)Pub Date: Jan. 12, 2016
ISBN: 978-0-553-53474-0
Page Count: 272
Publisher: Crown
Review Posted Online: Sept. 15, 2015
Despite the well-meaning warmth, a wearying plod.
Can a 17-year-old with her first girlfriend prevent real-life folks from discovering her online fandoms?
Cass is proudly queer, happily fat, and extremely secretive about being a fan who role-plays on Discord. Back in middle school, she had what she calls a gaming addiction, playing “The Sims” so much her parents had to take the game away. Now, turning to her role-play friends to cope with her fighting parents, she worries that people will judge her for her fannishness and online life. To be fair, her grades are suffering. And sure, maybe she’s missed a college application deadline. Also, her mom has suddenly left Minneapolis and moved to Maine to be with a man she met online. But on the other hand, Cass is finally dating her amazingly cute longtime crush, Taylor. Pansexual Taylor is a gamer, a little bit punk, White like Cass, and so, so great—but she still can’t help comparing her to Rowan, Cass’ online best friend and role-playing ship partner. But Rowan doesn’t want to be a dirty little secret and doesn’t see why Cass can’t be honest about this part of her life. The inevitable train wreck of her lies looms on the horizon for months in an overlong morality play building to the climax that includes tidy resolutions to all the character arcs that are quite heartwarming but, in the case of Cass’ estranged mother, narratively unearned.
Despite the well-meaning warmth, a wearying plod. (Fiction. 13-16)Pub Date: Feb. 7, 2023
ISBN: 978-0-06-324332-3
Page Count: 384
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
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