A must not just for rock fans, but for anyone interested in the intersection of music and culture.
A journalist asks: What happened to indie rock?
There was a time, about 20 years ago, when “Such Great Heights,” a song by indie-pop outfit The Postal Service, was inescapable. The song hit the Billboard Hot Singles chart, unusual for an indie song at the time, and was featured in the film Garden State and in the series Grey’s Anatomy. It makes sense that music journalist DeVille would use the song as the title of his book, which explores how, in the early 2000s, indie rock “reached an exponentially larger audience and was utterly transformed in the process.” Indie rock was named after its original home in independent music labels, but at some point it changed to a label-agnostic genre that, DeVille writes, was marked by “a family tree of musical aesthetics” that started with late-1960s bands the Velvet Underground and the Stooges. DeVille traces 2000s indie rock to its “dance-party era,” when fans bopped along to the Dismemberment Plan, and through its forays into subgenres garage rock, “blog-rock,” “bloghouse” (associated with the “indie sleaze” era of fashion), indie folk, and more. He writes about the genre’s watershed moments: its popularity with television producers, who included indie songs in series like The O.C. and Gossip Girl, and the surprise Grammy wins of Arcade Fire and Bon Iver. Indie rock, DeVille writes, “meant so many things that it came to mean nothing.” He doesn’t bemoan this, noting that the changes “started pulling the genre away from traditional white male power structures and toward the historical have-nots.” DeVille’s book is beautifully argued and free of strong opinions about particular bands or subgenres; he is here as a historian with admitted skin in the game—he’s a fan of the genre who observes, neutrally, how it has changed. This work is filled with smart arguments, gentle wit, and admirable acumen.
A must not just for rock fans, but for anyone interested in the intersection of music and culture.Pub Date: Aug. 26, 2025
ISBN: 9781250363381
Page Count: 352
Publisher: St. Martin's
Review Posted Online: May 15, 2025
Kirkus Reviews Issue: June 15, 2025
Cogent, well-timed ideas for meeting today’s biggest challenges.
Helping liberals get out of their own way.
Klein, a New York Times columnist, and Thompson, an Atlantic staffer, lean to the left, but they aren’t interrogating the usual suspects. Aware that many conservatives have no interest in their opinions, the authors target their own side’s “pathologies.” Why do red states greenlight the kind of renewable energy projects that often languish in blue states? Why does liberal California have the nation’s most severe homelessness and housing affordability crises? One big reason: Liberal leadership has ensnared itself in a web of well-intentioned yet often onerous “goals, standards, and rules.” This “procedural kludge,” partially shaped by lawyers who pioneered a “democracy by lawsuit” strategy in the 1960s, threatens to stymie key breakthroughs. Consider the anti-pollution laws passed after World War II. In the decades since, homeowners’ groups in liberal locales have cited such statutes in lawsuits meant to stop new affordable housing. Today, these laws “block the clean energy projects” required to tackle climate change. Nuclear energy is “inarguably safer” than the fossil fuel variety, but because Washington doesn’t always “properly weigh risk,” it almost never builds new reactors. Meanwhile, technologies that may cure disease or slash the carbon footprint of cement production benefit from government support, but too often the grant process “rewards caution and punishes outsider thinking.” The authors call this style of governing “everything-bagel liberalism,” so named because of its many government mandates. Instead, they envision “a politics of abundance” that would remake travel, work, and health. This won’t happen without “changing the processes that make building and inventing so hard.” It’s time, then, to scrutinize everything from municipal zoning regulations to the paperwork requirements for scientists getting federal funding. The authors’ debut as a duo is very smart and eminently useful.
Cogent, well-timed ideas for meeting today’s biggest challenges.Pub Date: March 18, 2025
ISBN: 9781668023488
Page Count: 320
Publisher: Avid Reader Press
Review Posted Online: Jan. 16, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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