by Chris Harris ; illustrated by Dan Santat ‧ RELEASE DATE: Sept. 29, 2020
Alpha-BEST! A sure-fire winner and a B-U-T of a book.
The alphabet comes out to play!
This delightfully entertaining alphabet book stands out in a very crowded field. The letters look like themselves, naturally, but they’re also shown to closely resemble others in their abecedarian family—with slight tweaks. Charming opening and closing poems explain that letters are all interrelated, just as members of the human family are. As in many an alphabet book, the letters are ordered sequentially. They’re announced in Harris’ marvelous, rollicking rhyming pairs that read and scan beautifully. Each actual letter is named and depicted straightforwardly but is then identified, verbally and pictorially, on the same page as the letter that it genuinely is in different, fanciful circumstances. For example, “An A is an H that just won’t stand up right. / A B is a D with its belt on too tight.” In the first instance, H’s usually erect left upright collapses against the right one in sweltering desert heat, forming A; a tight belt tightly cinches D’s waist, forming B. Santat’s colorful, riotous alpha-illustrations imbue pages or spreads with comical visual details, such as verbal and/or visual puns and/or commentary from the letters. Humans are depicted as racially diverse. Children will love creating similar poems and illustrations. Endpaper artwork features lined paper familiar from primary schools, with numbered arrows demonstrating the directions of the strokes needed to form alphabet letters. Readers are challenged to decode a clever secret message on the rear endpaper.
Alpha-BEST! A sure-fire winner and a B-U-T of a book. (Picture book. 4-8)Pub Date: Sept. 29, 2020
ISBN: 978-0-316-26662-8
Page Count: 48
Publisher: Little, Brown
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Jan. 2, 2024
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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