Irredeemable in any world, real or virtual.
In this cyberpunk fiction debut, a massively popular online game has real-world consequences.
Ashley Akachi is a mixed-race woman who’s known as “Ashura the Terrible” to millions of fans of Infinite Game, which is watched around the world. In a near-future Florida that’s half drowned by rising sea levels, she sits inside a haptic chamber that converts her movements into gameplay in the ultraviolent competition. Former NFL player Kluwe (Beautifully Unique Sparkleponies, 2013) describes the game’s mechanics at length, at times giving the book the feel of watching someone else play a video game. (The game’s racist and misogynist online message boards also feature prominently.) Eventually, Ash uncovers a vast conspiracy involving not only Infinite Game, but also her love interest, Hamlin, who’s hiding a secret of his own. Unfortunately, there’s not enough space in this brief review to examine everything that’s obnoxious or distasteful in this novel, from its opening bullet-point infodump, lazily passed off as worldbuilding, to its eye-rolling last line. One may wonder if any women were involved in this book’s publication in any meaningful way. Only a male author could believe a woman thinks about “dicks” this often; when facing gender inequality, Ash huffs, “Must be nice to have a dick”; before castrating a would-be rapist, she scoffs, “You thought your dick made you a man? You’ll never be a man again.” Characters' attacks on Ash are all viciously gender-specific; in addition to being threatened with rape throughout, she's repeatedly called “slut,” “whore,” and “cunt.” Meanwhile, Ash herself reads like an unintentional parody of an empowered woman; she leers suggestively at a woman’s behind and then laments her small bust size, at length, before deciding “boobs are overrated.” At the book’s climax, Ash thinks that she’s “so tired of shitty men and their shitty dreams.” After reading this, readers will surely feel the same.
Irredeemable in any world, real or virtual.Pub Date: March 3, 2020
ISBN: 978-1-250-20393-9
Page Count: 352
Publisher: Tor
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A new edition of the by now classic collection of affiliated stories which has already established its deserved longevity.
Pub Date: Aug. 16, 1963
ISBN: 055338256X
Page Count: -
Publisher: Doubleday
Review Posted Online: Sept. 13, 2011
Kirkus Reviews Issue: Aug. 1, 1963
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