A bold, lyrical reimagining of the Joan of Arc story.
The Maid of Orleans rises from the trauma of war in Lombardi’s historical novel, the first in a series.
Domrémy, 1424: Most families have left this war-torn village, but not the Darcs, the wealthiest tenant farmers in the area. When English soldiers raid the town, the Darcs’ 12-year-old daughter Jehanne is brutally gang-raped. Afterward, she begins to experience otherworldly fits and visions: “Whispers fill her head, whispered voices of other girls, other boys, all pushed to the ground by soldiers and discarded in pieces. Some of the voices are not speaking French, the words thicker, more glottal, odd music of tones and angles.” After three years of these phenomena, the voices give her an assignment to join the army of the Dauphin—the heir to the throne—to help him unite all of France. Her relatives think Jehanne is mad. The girl was meant to be a nun, and the idea of her fighting in the army, much less turning the tide of the war, sounds ridiculous…at least until she reveals a supernatural ability to freeze enemy soldiers in their tracks. To serve the Dauphin, however, she will have to win over his mother-in-law, the so-called Queen of Jerusalem, Yolande of Aragon, who is a keen strategist in her own right. Together, they will try to halt the loss of French territory by lifting the English siege of Orleans. Lombardi’s interpretation of Jehanne captures both the surreality of religious mysticism and the madness-inducing violence of the period. Here, she describes a hallucinatory episode: “The braided voice loud now: screams within screams. Then: a waking dream blinds her, she can barely see the priests and lawyers in their nice robes. Instead: A lance crossing a chest, teasing under armor, then leaned into, until blood spurts. Dead eyes. A crossbow splits a liver.” Rooting Jehanne’s story in sexual trauma adds a disruptive dimension to this famous history, one that the reader will be intrigued to see developed in subsequent volumes.
A bold, lyrical reimagining of the Joan of Arc story.Pub Date: May 6, 2025
ISBN: N/A
Page Count: 273
Publisher: N/A
Review Posted Online: March 4, 2025
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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