by Chris Lynch ‧ RELEASE DATE: Jan. 27, 2015
Ultimately, readers will wonder just who they’ve been getting to know and whether they really know him at all.
A meditation on belonging, choices and denial.
Kevin, a 17-year-old runaway, dreams of living as a romantic outsider, but fellow runaways Stacey and Molly sniff him out immediately. Utterly lacking in street smarts, Kevin is too earnest by half, and he reeks of privilege. During the day, he slums it with the girls or with a group of guys who live at Crystal City’s disgusting beach, and at night, he eats well, showers and sleeps at his welcoming uncle Sydney’s house. Kevin describes Sydney as his family’s black sheep, but Sydney is in fact a charming, self-confessed criminal who cheerfully offers to kill Kevin’s dad after Kevin implies that his broken arm is his dad’s fault. Lynch’s (Inexcusable, 2005; Angry Young Man, 2011) skill at sustaining an appealing voice while slowly unveiling the extent of his protagonist’s self-deception is impressive: Kevin—a bumbler, but every bit as winning as his sociopathic uncle—is clearly suffering, but his struggles are both garden-variety and largely self-inflicted, particularly in comparison with the true desperation of Stacey, Molly and the men from the beach. It’s easy to root for Kevin, but his self-pity and often cruel choices don’t make him much of a hero.
Ultimately, readers will wonder just who they’ve been getting to know and whether they really know him at all. (Thriller. 14-17)Pub Date: Jan. 27, 2015
ISBN: 978-1-4424-4011-1
Page Count: 240
Publisher: Simon & Schuster
Review Posted Online: Oct. 21, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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by Alexandra Monir ‧ RELEASE DATE: Feb. 18, 2020
Breezy, silly, unremarkable fun.
This sequel to The Final Six (2018) raises the stakes for its spacefaring teen astronauts.
Naomi Ardalan and the other Final Six are on their journey to colonize Jupiter’s moon Europa, leading the way for humans to eventually leave a dying Earth. Naomi is the only one in the group who knows that the leaders of the International Space Training Camp are keeping the truth from them, and it is down to her to discover whether there is alien life on Europa before they land. Back on Earth, and unbeknownst to the crew, left-behind recruit Leo Danieli works with genius doctor Greta Wagner to launch a solo mission to intercept and join Naomi’s ship in order to bring them news that not only is there definitely life on Europa, but they are set to land in its most dangerous zone. As the two missions and alternating narratives converge, the unthinkable happens—and everything changes. Fast-paced and plot-driven, the novel decidedly veers into science fiction horror territory with plenty of scares that readers willing to suspend disbelief and embrace the teenagers-in-space setup are likely to enjoy. The syrupy romance between Leo and Naomi continues, and a new layer is added to the story with a frustratingly too-brief examination of colonization and first contact. Naomi is Iranian American, Leo is Italian, and the human cast is international.
Breezy, silly, unremarkable fun. (Science fiction horror. 14-17)Pub Date: Feb. 18, 2020
ISBN: 978-0-06-265897-5
Page Count: 320
Publisher: HarperTeen
Review Posted Online: Jan. 22, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by Becky Albertalli & Aisha Saeed ‧ RELEASE DATE: Feb. 4, 2020
Best leave it at maybe so.
Two 17-year-olds from the northern suburbs of Atlanta, Georgia, work together on a campaign for a progressive state senate candidate in an unlikely love story.
Co-authors Albertalli (Leah on the Offbeat, 2018, etc.) and Saeed (Bilal Cooks Daal, 2019, etc.) present Jamie Goldberg, a white Ashkenazi Jewish boy who suffers from being “painfully bad at anything girl-related,” and Maya Rehman, a Pakistani American Muslim girl struggling with her parents’ sudden separation. Former childhood best friends, they find themselves volunteered as a team by their mothers during a Ramadan “campaign iftar.” One canvassing adventure at a time, they grow closer despite Maya’s no-dating policy. Chapters alternate between Maya’s and Jamie’s first-person voices. The endearing, if somewhat clichéd, teens sweetly connect over similarities like divorced parents, and their activism will resonate with many. Jamie is sensitive, clumsy, and insecure; Maya is determined, sassy, a dash spoiled, and she swears freely. The novel covers timeless themes of teen activism and love-conquers-all along with election highs and lows, messy divorces, teen angst, bat mitzvah stress, social media gaffes, right-wing haters, friendship drama, and cultural misunderstandings, but the explicit advocacy at times interferes with an immersive reading experience and the text often feels repetitious. Maya’s mother is hijabi, and while Maya advocates against a hijab ban, she chooses not to wear hijab and actively wrestles with what it means to be an observant Muslim.
Best leave it at maybe so. (Romance. 14-18)Pub Date: Feb. 4, 2020
ISBN: 978-0-06-293704-9
Page Count: 448
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 16, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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