by Chris Lynch ‧ RELEASE DATE: Jan. 27, 2015
Ultimately, readers will wonder just who they’ve been getting to know and whether they really know him at all.
A meditation on belonging, choices and denial.
Kevin, a 17-year-old runaway, dreams of living as a romantic outsider, but fellow runaways Stacey and Molly sniff him out immediately. Utterly lacking in street smarts, Kevin is too earnest by half, and he reeks of privilege. During the day, he slums it with the girls or with a group of guys who live at Crystal City’s disgusting beach, and at night, he eats well, showers and sleeps at his welcoming uncle Sydney’s house. Kevin describes Sydney as his family’s black sheep, but Sydney is in fact a charming, self-confessed criminal who cheerfully offers to kill Kevin’s dad after Kevin implies that his broken arm is his dad’s fault. Lynch’s (Inexcusable, 2005; Angry Young Man, 2011) skill at sustaining an appealing voice while slowly unveiling the extent of his protagonist’s self-deception is impressive: Kevin—a bumbler, but every bit as winning as his sociopathic uncle—is clearly suffering, but his struggles are both garden-variety and largely self-inflicted, particularly in comparison with the true desperation of Stacey, Molly and the men from the beach. It’s easy to root for Kevin, but his self-pity and often cruel choices don’t make him much of a hero.
Ultimately, readers will wonder just who they’ve been getting to know and whether they really know him at all. (Thriller. 14-17)Pub Date: Jan. 27, 2015
ISBN: 978-1-4424-4011-1
Page Count: 240
Publisher: Simon & Schuster
Review Posted Online: Oct. 21, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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by Becky Albertalli & Aisha Saeed ‧ RELEASE DATE: Feb. 4, 2020
Best leave it at maybe so.
Two 17-year-olds from the northern suburbs of Atlanta, Georgia, work together on a campaign for a progressive state senate candidate in an unlikely love story.
Co-authors Albertalli (Leah on the Offbeat, 2018, etc.) and Saeed (Bilal Cooks Daal, 2019, etc.) present Jamie Goldberg, a white Ashkenazi Jewish boy who suffers from being “painfully bad at anything girl-related,” and Maya Rehman, a Pakistani American Muslim girl struggling with her parents’ sudden separation. Former childhood best friends, they find themselves volunteered as a team by their mothers during a Ramadan “campaign iftar.” One canvassing adventure at a time, they grow closer despite Maya’s no-dating policy. Chapters alternate between Maya’s and Jamie’s first-person voices. The endearing, if somewhat clichéd, teens sweetly connect over similarities like divorced parents, and their activism will resonate with many. Jamie is sensitive, clumsy, and insecure; Maya is determined, sassy, a dash spoiled, and she swears freely. The novel covers timeless themes of teen activism and love-conquers-all along with election highs and lows, messy divorces, teen angst, bat mitzvah stress, social media gaffes, right-wing haters, friendship drama, and cultural misunderstandings, but the explicit advocacy at times interferes with an immersive reading experience and the text often feels repetitious. Maya’s mother is hijabi, and while Maya advocates against a hijab ban, she chooses not to wear hijab and actively wrestles with what it means to be an observant Muslim.
Best leave it at maybe so. (Romance. 14-18)Pub Date: Feb. 4, 2020
ISBN: 978-0-06-293704-9
Page Count: 448
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 16, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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by Mariko Tamaki ; illustrated by Yoshi Yoshitani ‧ RELEASE DATE: July 27, 2021
Equal parts entertaining and thought-provoking.
Sixteen-year-old Mandy considers herself the anti-Starfire: Unlike her scantily clad superhero mother, she doesn’t have superpowers, can’t fly, and doesn’t even own a bathing suit.
Mandy dyes her hair and dresses in all black to further call out how different they are. Mandy’s best friend, Lincoln, whose parents were born in Vietnam, insightfully summarizes this rift as being down to an intergenerational divide that occurs whether parents and children come from different countries or different planets. Mandy tries to figure out what kind of future she wants for herself as she struggles with teenage insecurities and bullying, her relationship with her mom, and her budding friendship (or is it something more?) with her new class project partner, Claire. Yoshitani’s vibrant and colorful stylized illustrations beautifully meld the various iterations of Starfire and the Titans with the live-action versions of those characters. Together with Tamaki’s punchy writing, this coming-of-age story of identity, family, friendship, and saving the world is skillfully brought to life in a quick but nuanced read. These layers are most strongly displayed as the story draws parallels between cultural differences between the generations as evidenced in how the characters address bullying, body positivity, fatphobia, fetishization and sexualization, and feminism. This title addresses many important concepts briefly, but well, with great pacing, bold art, and concise and snappy dialogue. The cast is broadly diverse in both primary and secondary characters.
Equal parts entertaining and thought-provoking. (Graphic fantasy. 14-16)Pub Date: July 27, 2021
ISBN: 978-1-77950-126-4
Page Count: 184
Publisher: DC
Review Posted Online: Aug. 10, 2021
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by Jillian Tamaki & Mariko Tamaki ; illustrated by Jillian Tamaki
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