Martin’s varied literary structure and assimilation of human emotions, fused with a fast-paced, imaginative storyline and...
In Martin’s collection of science-fiction stories, Lt. Jana Maines steers merchant ships of the Space Trading Commission through the fourth dimension, known as n-Space.
When Maines spots a three centuries’ old derelict—a forgotten spaceship—in deep space, she convinces her captain to give approval for an exploration mission. Good looks aside, Maines’ charisma and unyielding fortitude are a byproduct of her desire to financially assist her family on the farming planet of Ceres. In most cases, Maines’ obdurate nature lands her in precarious situations, but her self-confidence never wavers. A strong-willed female protagonist coupled with a realistic, developed portrayal of the fourth dimension is one of Martin’s strengths, and his intriguing storyline, illustrations and innate ability to make foreign objects and places seem familiar accentuate the quality of his work. Integrating short stories, poetry and songs into Maines’ odyssey, Martin provides insight into the lieutenant’s purpose behind each mission, her life on Ceres with her family and her domineering father. Though a work of science fiction, Martin’s focus transcends spaceships and deep-space transports; he explores the relationship between the lieutenant and her daunting, sometimes overbearing captains (who bear a strong resemblance to Maines’ father), religious philosophy on the planet of Tachon and a light romance on Oceanus. However, Maines’ attachment to her family and the pangs of loneliness permeate every story. Whether Maines is standing beside a dying woman on an ancient derelict in deep space, battling with a prophet who claims himself as God or trying to save millions of fish eggs crucial for the survival of a planet, Martin connects her exploits to her family. Amid the various side stories, readers may find it easy to skim over Martin’s invented words and numerous technical and physics references to explain n-Space. To compensate, the author includes an in-depth glossary and notes at the end to enhance understanding of n-Space. While Maines’ internal dialogue becomes excessive at points, this is a minor point considering the myriad positives the book offers.
Martin’s varied literary structure and assimilation of human emotions, fused with a fast-paced, imaginative storyline and realistic science fiction will leave audiences marveling over Maines’ adventures in n-Space.Pub Date: April 27, 2011
ISBN: 978-1450260893
Page Count: 521
Publisher: iUniverse
Review Posted Online: Aug. 22, 2011
Kirkus Reviews Issue: Oct. 1, 2011
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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