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THE TEAM

A genre-blending adventure that, despite some lulls, pulls the reader through the pages.

Debut author Morris’ SF/fantasy novel follows an apprentice angel on a mission from God.

When Mara Angelica is called into God’s office, she is nervous. Mara is training to be an angel, and to complete a requirement called the Angelic Cycle, she must hunt and destroy a demon. Not just any demon, either: Mara is tasked with eliminating a particularly powerful foe named Arual. To complete the mission, she needs a team: Enter Qwag, a sassy warrior dwarf known for his blunt manners and fondness for chain mail. He accompanies Mara to Tijuana, Mexico, where they connect with Stacey, a shape-shifter who can take either a human form or that of a 60-pound bobcat. Mara insists that they also collect her old friend Tessa Delray, a seer and “concocter of powerful medicines.” Tessa has a gun-toting nephew named James who comes onboard along with Tessa’s cat, Larry. Finally, they are joined by Twilt Gensuri, who has long, thick green hair and hails from the small planet of Gnez. Braced for mayhem, the ragtag group races through the desert in a recently purchased Mercedes van; demons are out in the world, and they tend to be keen for a fight: “Qwag was up out of his tent and coming fast, blood dripping from a ragged wound low on his neck….The grisly chimera, all deep-set black eyes and wobbly mouth, was getting its short, stubby leg under it. It lifted one huge claw high into the air and lumbered forwards.” Throughout it all, Mara must always remember what she was taught: “to properly hunt a demon, one always looked for the advantage, no matter how slight.”

This multifaceted tale forces the reader to expect the unexpected, as the narrative consistently adds more twists. Despite the large ensemble cast and busy plot, the story proves easy to follow—regardless of the realm the characters traverse, there are demons about to provide violent conflict and be destroyed. The diverse team assembled for Mara allows for some welcome nuance, as not everyone involved is even attuned to the same God Mara serves; dwarves like Qwag, for instance, have their own deities (“[Mara] worked for Heaven, and she would serve her God well. But not everyone wanted to serve Him. That didn't make them evil”). A certain excessive chattiness does, however, dim the excitement over the course of the story. Characters tend to talk a lot, whether making bland proclamations (“Sometimes I feel like I am pressuring you just by being here”) or asking something inane (“Any suggestions?”). Such quotidian wordiness detracts from the overall wild, inhuman natures of the main players. Other scenes are slowed by dull details, such as how cooked bacon is divvied up among the group, or excitement over the prospect of hot baths, which sends one character “dancing around in a circle.” Still, the storytelling is undeniably creative. This lively mixture of science fiction, fantasy, and romance (angels, it turns out, are not above erotic pleasure) keeps the reader guessing without losing them in the shuffle. A genre-blending adventure that, despite some lulls, pulls the reader through the pages.

Pub Date: N/A

ISBN: N/A

Page Count: 297

Publisher: Manuscript

Review Posted Online: April 8, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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VICTORIOUS

Who is victorious? The author and the readers.

The conclusion to the Villains trilogy asks, In a world where there are no heroes, what does victory really mean?

Schwab’s world is one where violent near-death experiences can engender ExtraOrdinaries, people who come back to life with a new superpowered ability, but lacking empathy, patience, and a variety of other, gentler qualities. In this installment, Victor Vale is becoming increasingly desperate; ever since Sydney Clarke used her power to bring him back from the dead, control over his own ability to cause and dampen pain has been slipping. Sydney herself is chafing against her life on the run with Victor’s protective ex-cellmate, Mitch Turner, and struggling with missing both Victor and her dead sister, Serena, whom she might not be able to resurrect—and definitely shouldn’t. Meanwhile, a psychiatrist, Dr. Gabriel Gray, discovers the existence of ExtraOrdinary people and seeks to harness their power for himself with tragic consequences for himself and many other people. Because the narrative skips around in time, it becomes clear fairly early that a final conflict is looming at EON, a high-tech facility where ExtraOrdinaries are imprisoned and experimented upon. This series has really lived up to its title; while antiheroes and villains have been popular protagonists for quite some time, not every writer is willing to lean into the darkness as hard as Schwab does. Some of her characters were psychopaths even before their near-death traumas, which means they didn’t have much moral fiber to begin with. And even the people who are basically good do a lot of bad and often foolish things when faced with a crisis…and there are a lot of crises. The strength of this series lies in Schwab’s ExtraOrdinary power to make you care for many of these incredibly rash, ethically dubious—some verging on irredeemable—characters anyway. As a result, the story rises above the usual grimdark cynical slog; instead, this is a gripping and nuanced saga with an ending that feels both inevitable and well earned.

Who is victorious? The author and the readers.

Pub Date: Oct. 6, 2026

ISBN: 9781250192233

Page Count: 592

Publisher: Tor

Review Posted Online: Sept. 25, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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