An exhilarating futuristic tale that boasts a superlative cast.
In Moses’ SF graphic novel, a company works to master alien tech that’s been abandoned on Earth for millennia.
Designated “Driver Eight,” 15-year-old Shiloh attempts neural linking with “the machine.” This giant robot landed on Earth long ago, and scientists from around the world have gradually recovered scattered parts. In the U.S., Synap Technologies, run by Shiloh’s father, Director Raguel, oversees each new robot-operating “Driver.” Shiloh, like others before them, uses something called the Axon Connection to power the machine (or try to), but that link weakens or goes away entirely when Drivers reach the age of 25 (“Your connection is strongest before your brain finishes developing”). So, Synap must continually train new Drivers, like Shiloh’s sister Angeline, Driver Six. In the virtual reality–like Axon, Shiloh keeps seeing images of Vivian, Synap’s very first Driver. If these are just memories, how is Vivian interacting with Shiloh? Meanwhile, Earth anticipates a visitor from the sky—perhaps an alien race that wants its machine back. Moses’ story is jampacked with goodies, including dynamic characters and a vivid backstory. Readers are treated to such unforgettable scenes as Angeline in a submersible deep in the Pacific Ocean and Vanessa (another former Driver) leading a team of armed soldiers on a mission in Xinjiang. Relationships fuel the narrative of this graphic novel as Synap’s Lynne Seti actively trains Shiloh, and Angeline and Vanessa appear to have a falling out. The action and mystery pick up as the story progresses and readers learn more about the mysterious Vivian (and an even more enigmatic glowing figure that suddenly emerges). Everything leads to a stellar cliffhanger that will surely leave readers eagerly awaiting further installments. Giannini’s sleek artwork outfits the diverse cast with chicness, from the stylish Synap uniforms to Vanessa’s eyebrow slits to Vivian’s lilac hair.
An exhilarating futuristic tale that boasts a superlative cast.Pub Date: June 24, 2025
ISBN: 9781545817926
Page Count: 120
Publisher: Mad Cave Studios
Review Posted Online: May 1, 2025
Kirkus Reviews Issue: June 15, 2025
Review Program: Kirkus Indie
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times...
A bland, uninspired graphic adaptation of the Bard’s renowned love story.
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times oddly psychedelic-tinged backgrounds of cool blues and purples, the mood is strange, and the overall ambiance of the story markedly absent. Appealing to what could only be a high-interest/low–reading level audience, McDonald falls short of the mark. He explains a scene in an open-air tavern with a footnote—“a place where people gather to drink”—but he declines to offer definitions for more difficult words, such as “dirges.” While the adaptation does follow the foundation of the play, the contemporary language offers nothing; cringeworthy lines include Benvolio saying to Romeo at the party where he first meets Juliet, “Let’s go. It’s best to leave now, while the party’s in full swing.” Nagar’s faces swirl between dishwater and grotesque, adding another layer of lost passion in a story that should boil with romantic intensity. Each page number is enclosed in a little red heart; while the object of this little nuance is obvious, it’s also unpleasantly saccharine. Notes after the story include such edifying tidbits about Taylor Swift and “ ‘Wow’ dialogs from the play” (which culls out the famous quotes).Pub Date: May 10, 2011
ISBN: 978-93-80028-58-3
Page Count: 80
Publisher: Campfire
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Lush visuals bring this thoughtfully constructed tale to life.
Wondrous visitors encounter a desperate pocket of humanity.
Lori, a white orphaned teen who’s finally been adopted after bouncing around various foster homes, awakens to discover that nearly everyone has disappeared. The rapture? Maybe. She runs into her classmate Annette, who has brown skin and curly black hair, and they partner up to scavenge for food. The pair tries to evade several threats, such as the large Wolves and a gang called The Dogs. Supernatural Giants arrive, seemingly from space, speaking an impenetrable language of “musical chiming and weird bass-rhythms.” Lori and Annette then meet Beatrice, an older white woman who shares important observations about the Giants and Wolves. The tone of the story then subtly shifts from post-apocalyptic desperation to one that’s somewhat playful. After a certain point, a visual element that appears early on takes on clear significance and meaning in the context of the story at large, offering a subversively humorous twist for readers to consider and a creative element that deviates from other alien invasion narratives. Hans’ artwork and paneling fill each scene with wonders. An interaction with a giant sees the red, violet, and pink figure standing against a bright, otherworldly white-and-blue backdrop with dark contours. Elsewhere, Lori and Annette pause at night as they behold ominous shadows, their foggy breath forming clouds, and they hear a “KRRNCH” sound. The quick-moving plot wraps everything up neatly.
Lush visuals bring this thoughtfully constructed tale to life. (character designs) (Graphic science fiction. 14-adult)Pub Date: Nov. 12, 2024
ISBN: 9781534387072
Page Count: 104
Publisher: Image Comics
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
