Will appeal to manga fans but raises questions around depictions of racialized material.

OTHELLO

From the Manga Classics series

An illustrated reimagining of one of Shakespeare’s most memorable tragedies.

From the very beginning of this clever adaptation, effort is made to prioritize accessibility of both the manga form and the classic Shakespearean play: The frontmatter briefly highlights the reading direction of the panels, and characters are labeled when introduced, coming to life via a striking combination of early modern Venetian dress; quintessential manga hairdos and facial expressions; and pronounced linework. Like the rest of the series, this account of Othello remains faithful to the original. The black-and-white illustrations allow for Iago’s conniving manipulations to manifest visually as well as animating characters’ bigotry in impactful, distressing ways. However, there are shortcomings: Where the original text may use parentheticals and asides to progress the story, the occasional appearance of parentheses in speech bubbles are a distracting reminder that comics utilize storytelling tools that haven’t been fully adopted here. Likewise, panel after panel of Othello’s turn to violence and his enraged face obscured by shadow provide a poignant dramatic effect but seem to exacerbate prejudices inherent to both the play and medium. Not only is the titular character visually distinguished from other characters by his shading, hair, lips, and overall size, unfortunately neither Shakespeare nor the illustrator seem wholly prepared for a contemporary conversation regarding racial representation in one of literature’s most infamous depictions of othering.

Will appeal to manga fans but raises questions around depictions of racialized material. (adapter’s notes, character designs) (Graphic fiction. 13-18)

Pub Date: May 25, 2021

ISBN: 978-1-947808-13-3

Page Count: 420

Publisher: Manga Classics

Review Posted Online: March 25, 2021

Kirkus Reviews Issue: April 15, 2021

Did you like this book?

No Comments Yet

Engrossing, contemplative, and as heart-wrenching as the title promises.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2017

  • New York Times Bestseller

  • IndieBound Bestseller

THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

Did you like this book?

An inventive, character-driven twist breathes new life into tired fantasy trends.

RED QUEEN

From the Red Queen series , Vol. 1

Amid a war and rising civil unrest, a young thief discovers the shocking power within her that sparks a revolution.

At 17, Mare knows that without an apprenticeship or job, her next birthday will bring a conscription to join the war. She contributes to her poor family’s income the only way she can, stealing from the Silvers, who possess myriad powers and force her and her fellow Reds into servitude. The Silvers literally bleed silver, and they can manipulate metal, plants and animals, among many other talents. When Mare’s best friend, Kilorn, loses his job and is doomed to conscription, she is determined to change his fate. She stumbles into a mysterious stranger after her plan goes awry and is pulled out of her village and into the world of Silver royalty. Once inside the palace walls, it isn’t long before Mare learns that powers unknown to red-blooded humans lie within her, powers that could lead a revolution. Familiar tropes abound. Mare is revealed as a great catalyst for change among classes and is groomed from rags to riches, and of course, seemingly kind characters turn out to be foes. However, Aveyard weaves a compelling new world, and Mare and the two men in her life evolve intriguingly as class tension rises. Revolution supersedes romance, setting the stage for action-packed surprises.

An inventive, character-driven twist breathes new life into tired fantasy trends. (Fantasy. 13 & up)

Pub Date: Feb. 10, 2015

ISBN: 978-0-06-231063-7

Page Count: 400

Publisher: HarperTeen

Review Posted Online: Nov. 11, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Did you like this book?

No Comments Yet
more