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THE LAST SUPER CHEF

Perfect for fans of Chopped Junior.

A fifth grader hopes that winning a cooking competition will provide for his mother and connect him to his father.

Curtis Pith has been obsessed with Lucas Taylor, TV’s Super Chef, ever since the day his beleaguered mother hinted that the man was actually Curtis’ father. It’s always been just the three of them—Curtis, his mom, and his little sister, Paige—struggling to make ends meet while his mom works a series of low-end jobs. Curtis already uses his impressive culinary skills, selling cupcakes to help them make rent. When the Super Chef announces he’s closing his career with a contest to crown a kid in a show entitled The Last Super Chef, Curtis finds himself in a televised competition with four other young chefs: Kiko from Japan; Bo from Mexico; Pepper from Boston, who is cued as Black; and another White boy, Joey, from Chicago. But his biggest competition may be himself, as the emotional impact of his father’s neglect overwhelms him at the worst possible times. Curtis is an appealing narrator, and both his kitchen dexterity and family relationships ring true. The supporting cast isn’t as finely drawn, however, and certain scenes—such as Curtis filming his audition video in his landlord’s kitchen—veer toward farce in a way that weakens the book’s emotional impact. It’s awfully wordy, as well—trimming the fat would have improved the overall meal.

Perfect for fans of Chopped Junior. (Fiction. 8-12)

Pub Date: July 6, 2021

ISBN: 978-0-06-294313-2

Page Count: 416

Publisher: Harper/HarperCollins

Review Posted Online: April 29, 2021

Kirkus Reviews Issue: May 15, 2021

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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