With a sudden climax leading to what may or may not be an ending of this specific big bad, though not of the world...
A quirky group comes together to snark and fight the zombie apocalypse while learning about the disturbing history of their small town.
Plunging with little recap back into the world created in Firewalk (2016), Roberson presents a ragtag group of Recondito, California, citizens who’ve made it through another night of potential doom. Luckily, police officer Patrick Tevake, who lives in a secure part of town, can offer safe harbor to friends and colleagues from the FBI, like Daphne Richardson and Izzie Lefevre, as well as his crush, Recondito Chief Medical Examiner Joyce Nguyen. The crew has only recently become aware that some locals have entered a zombielike state that they’ve termed being “Ridden,” and they know little more. They believe it’s related somehow both to the distribution of Ink, a new street drug, and Parasol, a software company founded by eccentric self-made millionaire Martin Zotovic. It’s hard to figure out how Ink and Parasol are connected when the gang can’t step outside at dark without being chased by the Ridden. Though they think Patrick’s neighborhood is somehow protected by symbols his uncle once painted on area walls, this theory is debunked during a night mission in which the group is attacked by the Ridden, getting away only through the discovery that silver and salt both have repellent powers. Patrick concentrates on restoring the symbols to their former glory in the hope of renewing their protective powers. New couple Izzie and Daphne focus their energy on preparing for the zombie apocalypse, fashioning protective gris-gris bags and trying out weapons designed to keep the Ridden at bay. These are just protective strategies until the group can figure out how to dispense with the Ridden for good.
With a sudden climax leading to what may or may not be an ending of this specific big bad, though not of the world Roberson’s created, the second in this series lacks the background and character development that made the first such a delight.Pub Date: April 3, 2018
ISBN: 978-1-59780-912-2
Page Count: 300
Publisher: Night Shade
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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