This take on a trusted formula tries too hard to be different and ends up becoming overcomplicated.

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ME MYSELF & HIM

Two what-if paths happen in tandem for a teen well-versed in the multiverse.

After a casual encounter with a whippet (the huffing kind, not the dog) Chris Schweitzer wakes up wondering how to explain his visit to the ER. He could lie and say he tripped over a milk crate; coming clean about his derelict behavior would be all kinds of uncomfortable (like the moving 2,000 miles to spend the summer with his famous theoretical physicist father or else forfeit college tuition kind of uncomfortable). So...he does both. Chris experiences the deconstruction of his friend triptych (besties Wexler and Anna hook up), the awkward waves of addiction group therapy, a boyfriend with all the benefits, a born-again alliance, and a family wedding. Chris and friends philosophize and theorize on existence, physics, and religion every step of both ways. They posit what-ifs that happen within the next chapter or have just happened in the previous one. Subtle typeset variations visually segregate the parallel stories. Diagrams peppered throughout meant to clarify can be confusing, muddled, and superfluous. As two different Chrises unwittingly inspire and respond to each other’s worlds, the white cast and dual narrative serve to make Chris realize he should be accountable for his own behavior. Would a sharper focus on only one of the universes have been better for narrative, conflict, and character development? Theoretically.

This take on a trusted formula tries too hard to be different and ends up becoming overcomplicated. (Fiction. 13-18)

Pub Date: July 9, 2019

ISBN: 978-1-5247-1522-9

Page Count: 304

Publisher: Delacorte

Review Posted Online: April 22, 2019

Kirkus Reviews Issue: May 15, 2019

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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