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THE CHRONICLES OF HARRIS BURDICK

FOURTEEN AMAZING AUTHORS TELL THE TALES

Engaging, with strokes of brilliance.

Fourteen award-winning authors craft stories to accompany the captioned pictures from Van Allsburg’s 1984 enigma, The Mysteries of Harris Burdick.

That title contained 14 exquisitely rendered pencil drawings, purportedly deposited with an editor by their self-ascribed creator. Promising to return with companion texts, Burdick disappeared instead, leaving a generation of readers to puzzle over the incongruous illustrations. United only by the sense of macabre disequilibrium permeating each illustration, this volume’s stories vary in approach and effectiveness. Jules Feiffer delivers a clever but self-aggrandizing fable about a picture book author/illustrator whose increasingly mad attachment to his characters signals his demise. Jon Scieszka’s intentionally clichéd “Under the Rug” seems shallow and dashed-off compared to deeply imagined pieces like M.T. Anderson’s twitchily metaphysical “Just Desert.” Kate DiCamillo’s adroit epistolary tale, set on the World War II home front, uses the image of an escaping wallpaper bird as the touchstone for a traumatized girl’s breakthrough beyond silence and fear. Cory Doctorow’s time-space ramble centers on four adventuring children, ignoring that the accompanying drawing depicts the travelers as two children, a thick-set woman and a derby-hatted man. Linda Sue Park’s “The Harp” deftly directs charming characters in parallel plots to a meshed, triply happy ending, and Lois Lowry dazzles with a sophisticated meditation on “The Seven Chairs,” wherein mid-century Catholicism bows beneath the archetypal (and, perhaps, renascent) rise of women.

Engaging, with strokes of brilliance. (new and original introductions, author bios) (Fiction. 8-13)

Pub Date: Oct. 25, 2011

ISBN: 978-0547548104

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: April 19, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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RIVER OF SPIRITS

From the Underwild series , Vol. 1

A beautiful, moving mythological adventure.

In a world based on Greek mythology, a 12-year-old aspires to be a Ferryer of the dead but gets off track when she meets a Living girl who’s found her way into the Underworld.

All Senka knows is her existence on an island in the middle of the Acheron River, “smack between the realm of the Living and the realm of the Dead,” where she’s the ward of Charon, the Ferryer of souls. Her teacher is an enormous raven named Mortimer. After Senka, who presents white, learns the Rules for Ferryers, Charon agrees to her repeated requests and starts training her to become a Ferryer. But when an emergency leads to Senka’s being left alone, she disobeys Charon’s explicit orders, takes the boat out on her own—and quickly learns that ferrying souls is far more complicated than she realized. She encounters dark-haired, brown-skinned Poppy, whose “edges are crisp”—she’s a Living girl who will sacrifice anything to find Joey, her younger brother who died. As Senka tries to convince Poppy to return to the Shore of the Living, the two get stuck in the Underwild, a “lawless place where chaos reigns” that’s filled with innumerable dangers and shrouded in secrets. Senka’s lively first-person narration relates the unexpected friendship that forms through her shared adventures with Poppy as they face mortality and the unknown. Debut author Targosz offers readers a meaningful exploration of grief and its impact on those left behind.

A beautiful, moving mythological adventure. (Fantasy. 9-13)

Pub Date: March 25, 2025

ISBN: 9781665957632

Page Count: 432

Publisher: Aladdin

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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