Next book

IN THE FLESH

A murky and elliptical descent into darkness.

German writer from the former GDR, Wolf offers her latest intellectual-personal foray (Medea: A Modern Retelling, 1998, etc.): a somber, spare, sensitive treatment of pain, illness and memory.

Having been brought to the hospital by ambulance because of abdominal pain, the unnamed narrator, who moves somewhat ambiguously from first to third person, offers a blow-by-blow testament of her treatment and deteriorating condition. Under the care of the taciturn head of surgery, Herr Chefarzt, and a succession of busy nurses, the patient is left helpless, vulnerable to the invading army around her who “inspect the drains, change the IV bottles, wash and reposition the thing my body is for them.” Laid low by a “runaway body,” the character’s mind cracks under the pain and drugs she’s subjected to, and a long life of memories begins to intrude. She recalls her relationships with a wily fellow East German and perhaps lover, Urban, who moves into high office and subsequently hangs himself in the woods after a crisis of conscience; a colleague and friend from the university, Renate, who loves Urban and is made miserable by him; and Aunt Lisbeth, who, in 1944 Berlin, has a child out of wedlock by a Jew. The patient is enchanted by mythical associations surrounding the name of one of her nurses, Kora Bachmann, who “will lead me into darkness. . . she’ll watch over me, keep an eye on my heartbeat, I’m reassured.” The speaker mines a kind of collective memory of Communist rupture and reinvention, and, lest the reader of English miss her literary and political allusions, the translator has provided a list of endnotes. Wolf deconstructs words such as collapse, cut, and expose, moving from the personal (pathological) definitions to the political. After meeting with Urban in the Underworld, the woman begins to emerge into health and light again, and yet the lasting impression of this work is dour and pedantic.

A murky and elliptical descent into darkness.

Pub Date: Jan. 1, 2005

ISBN: 1-56792-267-8

Page Count: 144

Publisher: Godine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2004

Categories:
Next book

BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview