Demanding, unsettling, and deeply rewarding.
French author Dabos’ first dystopian novel trades the baroque, fractured worlds of the Mirror Visitor quartet for a society that’s terrifying in its coherence.
On a supercontinent governed by Instincts—biological compulsions that determine vocation, social value, even morality—citizens are raised from childhood to surrender themselves to the collective We. But as students across the Sectors disappear and buried contradictions surface, Saints and social outcasts alike are drawn toward revelations capable of shattering the entire system. Martha, a repairer unnerved by the involuntary pleasure of obedience; Goliath, a protector hungry for glory who’s desperate for sanctification before reaching adulthood; and Claire, a confidant whose existence threatens the system’s foundations, all become threads in a sprawling narrative about labor, autonomy, sacrifice, and the frightening seduction of certainty. Dabos’ writing remains unapologetically and enthrallingly complex: She layers philosophical speculation, institutional satire, conspiracy, and deeply embodied character work into a dystopia that grows stranger and more destabilizing the deeper readers follow it. Yet the novel never collapses beneath the weight of its own intricacy. Instead, Dabos and translator Serle thrust readers into the middle of an ever-evolving web of sharply observed routines and mounting emotional fractures, ensnaring them in a fragmented momentum immersive enough to feel simultaneously absurd and disconcertingly familiar. The text brings contradictions to bear, resisting the ease of moral binaries and trusting readers with questions about individuality, collectivism, purpose, and belonging that linger long after the final page.
Demanding, unsettling, and deeply rewarding. (Dystopian. 14-adult)Pub Date: Aug. 25, 2026
ISBN: 9798889662044
Page Count: 480
Publisher: Europa Editions
Review Posted Online: today
Kirkus Reviews Issue: July 1, 2026
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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