To quote Kracht: “quite literary but somewhat awkward.”
Swiss writer Kracht’s bestselling, experimental 2012 novel—based on the life of a real person—gets translated into English.
Sick of civilization, August Engelhardt seeks a different kind of living. In the early 20th century, he purchases a coconut-rich Pacific island called Kabakon and, there, hopes to start a colony based on vegetarianism and the healing powers of the sun and coconuts. But Engelhardt is also a nudist, and this doesn’t appeal so much to certain people (“no reason to lie naked on a beach,” one potential partner tells him) and appeals a little too much to others. Nevertheless, Engelhardt—sometimes mad, sometimes misguided, sometimes prophetic—forms bonds with several of the island's natives and finds a bit of peace…until a famous musician named Lützow arrives and becomes an acolyte and, perhaps, a usurper, showing Engelhardt that not all attention is good. In this slim novel, Kracht uses the general outline of Engelhardt’s life to cram a lot into a small space; the omniscient narrator, in language both formal (“Now that we have endeavored to tell of our poor friend’s past”) and informal (“to cut a long story short”), tells not only Engelhardt’s story, but also the story of the birth of 20th-century science and demagoguery, touching on the world outside Engelhardt and including references to Einstein and Hitler. But what is one to make of this book ultimately? The language, florid and overstuffed with adverbs, harkens back to, and maybe parodies, an earlier style of writing, but to what end? The narrator jumps around in time, gets sidetracked, and sometimes seems barely interested in Engelhardt. “To wit: modernity had dawned; poets suddenly wrote fragmented lines,” Kracht writes. Does this account for the novel’s trapdoor style? Perhaps—and some of Kracht’s doors are more fun to fall into than others.
To quote Kracht: “quite literary but somewhat awkward.”Pub Date: July 14, 2015
ISBN: 978-0-374-17524-5
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
Closely observed and elegantly written: an overstuffed story that embraces decades and a large cast of characters without...
An assured debut novel that sets the life of one man against the tumultuous backdrop of Palestine in the waning years of British occupation.
Midhat Kamal has been thoroughly steeped in French culture—writes Hammad, he “knew the names of his internal organs as ‘le poumon’ and ‘le coeur’ and ‘le cerveau’ and ‘l’encéphale’ ”—but is never at home in his dreamed-of France, where he has come from his home in Nablus to study medicine. His French isn’t quite perfect, not at first, which occasions an odd thought: “What if, since by the same token one could not afford ambiguity, everything also became more direct?” Things happen directly enough that he’s soon enfolded in various dramas acted out by the good people of Montpellier. Midhat is a philosophically inclined soul who, as his yearned-for Jeannette remarks, is wont “to rely on what other people have said” in the countless books he’s read. Like Zhivago, he is aware of events but somehow apart from them. When he returns to Nablus at a time when European Jews are heeding Herzl’s call and moving to Palestine, he finds the city divided not just by the alignments of social class, but also by a new politics: “We must resist all of the Jews,” insists a neighbor of Midhat’s, advocating a militant solution that others think should be directed at the British colonizers. Hammad sometimes drifts into the didactic in outlining an exceedingly complex history, but she does so with a poet’s eye for detail, writing, for instance, of Nablus’ upper-class women, who “grow fat among cushions and divert their vigour into childbirth and playing music, and siphon what remained into promulgating rumors about their rivals." The years pass, and Midhat weathers change, illness, madness, and a declining command of French, seeking and finding love and family: At the end, he announces, “When I look at my life…I see a whole list of mistakes. Lovely, beautiful mistakes. I wouldn’t change them.”
Closely observed and elegantly written: an overstuffed story that embraces decades and a large cast of characters without longueurs.Pub Date: April 9, 2019
ISBN: 978-0-8021-2943-7
Page Count: 576
Publisher: Grove
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
PROFILES
Though it has a lot of heart, this novel bites off more than it can chew.
A spirited woman takes on piloting planes, helping soldiers, and breaking the glass ceiling in Salazar’s debut.
Audrey Coltrane has been obsessed with flying since she was a little girl. When an opportunity to train new Army recruits to fly begins in Hawaii, she takes the job. Unfortunately, this means Audrey is up in the air on Dec. 7, 1941, and finds herself involved in the attack on Pearl Harbor and its aftermath. Determined to continue flying and helping with the war effort, she becomes part of the Women Airforce Service Pilots, a group of women given the job of ferrying planes to various military bases. As Audrey makes her way through the worst of the war, she makes and loses friends, deals with her feelings for a faraway soldier, and learns what it is she actually wants out of life. Pulling from the real histories of WASP women, the book has an air of authenticity when Salazar describes the everyday ordeals of talented and hardworking women just trying to do their jobs in a harsh environment. The novel is incredibly earnest, and there are big ideas on every page, to the point that it detracts from the power of the book. The plot races along without any time to breathe, so characters appear and are killed without giving the reader any chance to get to know them or mourn them. Instead of focusing on one experience, the author attempts at least a reference to most major World War II events. Despite a section set in Hawaii, there are no major characters of color and only a brief mention of internment camps. There’s so much stuffed into the book that it ends up feeling like very little.
Though it has a lot of heart, this novel bites off more than it can chew.Pub Date: July 2, 2019
ISBN: 978-0-7783-6922-6
Page Count: 384
Publisher: Harlequin MIRA
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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