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SCARY STORIES FOR YOUNG FOXES

Dark and skillfully distressing, this is a story for the bold.

Two young foxes struggle to survive predators, the elements, and their families.

In a frame, seven fox kits are eager to hear some scary stories. For “a story so frightening it will put the white in your tail,” their mother sends them to “the old storyteller,” an elderly fox in a cavern, who proceeds to spin a tale of vulpine horror. At first the stories seem unrelated; Mia is separated from her loving family, while Uly is exiled. Soon the kits’ stories intertwine as the horrors they survive increase and multiply. After a rocky start prosewise (repetitive adjectives, slightly ornate descriptions), the story picks up, and the “scary stories” border on downright disturbing. There’s domestic horror—Mia survives an encounter with her beloved teacher, who’s gone rabid, and Uly is terrorized by his sisters and father because he’s disabled. Later Mia is trapped by Beatrix Potter, who murders animals after using them as inspiration for her stories, and Uly is attacked by a Golgathursh, “a whirlwind of scaly limbs.” Ethereal sketches in what looks like charcoal add to the atmosphere, with appealing fox kits set against menacing backgrounds. The stomach-clenching fear and suspense are resolved by a happy ending, but some readers—sensitive animal lovers especially—may have a hard time reaching it. Similarly, the abuse that Uly faces from his family due to his disability may be painful to read.

Dark and skillfully distressing, this is a story for the bold. (Horror. 9-14)

Pub Date: July 30, 2019

ISBN: 978-1-250-18142-8

Page Count: 320

Publisher: Henry Holt

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: July 15, 2012

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REFUGEE

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

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In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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