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THE GOOD HAIR DAY

A heartwarming story that’s ultimately about far more than hair.

Noah is a boy who longs for lengthy locks, but will others support his wish?

As his birthday approaches, brown-skinned Noah begins dropping not-so-subtle hints about the gifts he’s hoping for: a telescope, a toy robot, and crafting beads. But what Noah wants most is something he can’t bring himself to admit—something that his sister and mom have but not his dad, his grandpa, his uncle, the mailman, or almost any other boy in class. What Noah desperately wants is something “he just didn’t think he was allowed to ask for”: long hair. Noah’s longing becomes apparent to his observant family; they notice when Noah breaks down after a buzzcut and when he wears a T-shirt on his head to resemble hair cascading down his shoulders. In honor of his unspoken birthday wish, Noah’s family (including his lighter-skinned, mustached father; his brown-skinned, wheelchair-using mother; and his brown-skinned sister) gives him his first wig. The child’s joy is moving, captured in Yang’s vivacious images, which glow with warm colors and lively details. This gesture of celebration has beautiful consequences. One year later, Noah happily sports shoulder-length locks, which he continues to grow. Combined with backmatter offering helpful “conversation starters” around “gender, identity, and self-expression,” this tender validation of one boy’s emotional experiences around his gender presentation is a valuable, affirming tale for all children. (This book was reviewed digitally.)

A heartwarming story that’s ultimately about far more than hair. (Picture book. 4-10)

Pub Date: May 23, 2023

ISBN: 9781419745881

Page Count: 40

Publisher: Abrams

Review Posted Online: Feb. 7, 2023

Kirkus Reviews Issue: March 1, 2023

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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