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TAP THE MAGIC TREE

A universal theme, developed in an unusually clean, simple presentation…and, at least, with no need for batteries.

Matheson invites readers to take an apple tree through a seasonal round using taps and page turns in place of touch-screens.

“There’s magic in this bare brown tree. / Tap it once. / Turn the page to see.” Making the resemblance to a tablet app even more apparent, the tissue-collage leaves, flowers and fruits that grow, mature and fall in succession on the scaffolding of branches “appear” following cued shakes, pats, blown breaths, claps and gestures as well as simple taps. The tree, suspended in white space on each spread, is all there is to see (until a pair of nesting bluebirds fly in at the end)—so that even very young children will easily follow its changes through spring, summer and winter dormancy to a fresh spring. Like the print version of Hervé Tullet’s Press Here (2011), from which this plainly takes its inspiration, the illusion of interactivity exercises a reader’s imagination in ways that digital media do not. Still, the overall result is more an imitation of an app than a creative use of ink, paper and physical design.

A universal theme, developed in an unusually clean, simple presentation…and, at least, with no need for batteries. (Picture book. 3-6)

Pub Date: Sept. 1, 2013

ISBN: 978-0-06-227445-8

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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TEN MAGIC BUTTERFLIES

A deterministic message detracts from the math.

For 10 flower friends, the grass is always greener…in the sky.

Ten Fantasia-like flowers with adorable faces and leaf arms/hands love being together and basking in the sun, but they also can’t help wanting to break free of their roots and fly when they see the fairies flitting about in the moonlight. One night, “Said the tiny blue one, / ‘Fairy up in the sky, / you see, I’m a flower, / but I want to fly.’ ” While the fairy is puzzled at the flower’s discontent, she grants its wish and transforms it into a butterfly. One by one the others join their mate in the sky as butterflies, each one’s color reflecting its flower origin. At daybreak, though, the new butterflies regret the transformation, and the understanding fairy changes them back again: “But big and tall, / or short and small, / being ourselves / is best of all!” Really? There isn’t even one flower that would really rather fly all the time? Throughout, McKellar emphasizes that there are always 10 in all, though some may be flowers and some butterflies at any given point. The endpapers reinforce ways to make 10 by showing 11 combinations, all in two rows of five, which may confuse children, rather than always keeping butterflies separate from flowers and allowing one row to be longer than the other. The bright colors, butterflies, flowers, and the fairy, who is a dark-skinned pixie with long black hair, seem calibrated to attract girly audiences.

A deterministic message detracts from the math. (Picture book. 3-6)

Pub Date: Feb. 13, 2018

ISBN: 978-1-101-93382-4

Page Count: 40

Publisher: Crown

Review Posted Online: Dec. 5, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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RED HOUSE, TREE HOUSE, LITTLE BITTY BROWN MOUSE

Delightful and engaging.

Preschoolers can follow a little brown mouse on its traveling adventures in this engaging color concept book.

As the book starts, a little mouse can be seen packing up her equally itty-bitty suitcase. Rhyming text with a wonderful read-aloud rhythm introduces readers to the little mouse’s street: “Red house / Blue house / Green house / Tree house! / See the tiny mouse / in her little brown house?” Clean-lined, colorful illustrations in Gómez’s signature style lead readers along: into a flower-filled garden; on a ride on a red city bus; in a potted windowsill plant attended by a child; on the curb where a group of people wait to cross a street; in an underwater scene with “one gigantic whale!”; and on a jolly ride that employs a string of vehicles. The little mouse is not mentioned again, making it easy for readers to forget it as they get caught up in the myriad delightful details of each illustration. No problem there. The book ends with “and did you spot that mouse?” This should send children back to the beginning, this time in earnest search of the little mouse and her itty-bitty suitcase. Should children need further enticement to read the book again, travel patches on the endpapers invite readers to match them to the relevant part in the story. The people depicted are diverse both racially as well as in physical ability.

Delightful and engaging. (Picture book. 3-5)

Pub Date: Aug. 27, 2019

ISBN: 978-0-525-55381-6

Page Count: 40

Publisher: Dial Books

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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