A beautifully realized story that proves that politically driven space opera and tender love stories do not have to be...
In the first in a series, Meierz’s debut, a rich sci-fi love story about a female teacher sent to a foreign planet to tutor the daughter of its rulers in various Earth languages, could be described as a space-opera spin on Anna and the King of Siam.
When the government informs high school teacher Marianne that she has been selected for a mission to the Tolari homeworld, where she will be the sole human occupant on that planet for 26 years, she hesitates, although she’s aware of the unpleasant consequences that would befall her should she ignore this “request.” Once on Tolar, a planet that houses a humanoid species known for being technologically primitive by Earth standards, she comes to discover that things are not quite as they seem. Meierz’s novel charts Marianne’s slowly budding romance with the Sural, the Tolari leader, as well as her gradual acclimation to this new world that is perhaps not as bizarre or backward as she originally thought. Meierz writes admirably, conjuring an alien planet and culture in a manner as straightforward as it is succinct. Her assured, no-frills approach to worldbuilding makes it easy to suspend any disbelief one might have regarding the novel’s more fantastical elements. Her realistic characters and their relationships build organically. The romance that develops between Marianne and the Sural, as well as Marianne’s shift in allegiance, might not come as a surprise to any reader, and there’s a predictable, overly melodramatic revelation regarding a trauma in Marianne’s past, but Meierz captures readers’ attention through her naturalistic character development and pacing. She also makes Earth’s government truly frightening and reprehensible.
A beautifully realized story that proves that politically driven space opera and tender love stories do not have to be mutually exclusive.Pub Date: Nov. 5, 2012
ISBN: 978-1480229792
Page Count: 252
Publisher: CreateSpace
Review Posted Online: Feb. 14, 2013
Kirkus Reviews Issue: March 15, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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