A beautiful homage to the dignified, unsung heroes of hospital care.
A poignant journey through the “tragedies and joys of a remarkable career” in hospital patient care.
Before becoming a successful novelist, Watson (Where Women Are Kings, 2015, etc.) spent 20 years as a nurse, and her vast experience informs this memoir. She escorts readers through the hospital wards she’s been assigned to, attests to the work-related trauma that threatened her personal spirit, and celebrates the return on her investment in a nursing career. As a teenager in Britain, Watson stumbled onto nursing courses, found her niche, and never looked back. Her first year as a nursing student proved harrowing, and she describes her attempt to save the life of a newly discovered suicide victim on the floor of his room. This event prompts commentary on frustrating governmental cuts in health care that she believes are crippling critical mental health and social service programs. Written with warmth and a sense of empathy for her patients, the memoir flows through episodes early in her nursing career when she shadowed a midwife through labor and delivery, trained in a pediatric intensive care unit, soothed a child with aggressive brain cancer, and comforted an elderly widow complaining of chest pain but whose appearance and symptoms more directly pointed to a broken heart. Watson also sorrowfully chronicles her own father’s death “in slow motion” in a cancer ward and the palliative nurse who made a lasting final impression on his life. As she notes, the author’s nursing career also had its softer, kinder edges, but her graphic descriptions of operating room procedures and the eye-watering aromas hovering over a surgical nursing unit may leave more sensitive readers lightheaded. The author’s passion for and true love of nursing are evident on every page, and this quality makes the book an absorbing read and a testament to the immense responsibility, diligent work, and compassionate spirit of medical caregivers.
A beautiful homage to the dignified, unsung heroes of hospital care.Pub Date: May 8, 2018
ISBN: 978-1-5247-6163-9
Page Count: 320
Publisher: Tim Duggan Books/Crown
Review Posted Online: March 5, 2018
Kirkus Reviews Issue: March 15, 2018
BOOK REVIEW
BOOK REVIEW
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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