A well-crafted, engaging novel about an ex-con trying to break free.
Hoag tells the story of a gang member’s attempts to flee his life of crime in this debut novel.
After 26 months in prison, 20-year-old Magdaleno “Mags” Argueta knows he can’t go back to his previous life as a member of the Cyco Lokos, one of Los Angeles’ most notorious Salvadoran street gangs. He’s hoping his time served will earn him veteran status, allowing him to walk away without repercussions. Unfortunately, his crew is now under the command of his chief rival, Rico, who’s less than sympathetic to his aspirations to go straight. What’s more, the only jobs available to a tatted-up ex-con like Mags are demeaning, such as passing out fliers on the sidewalk while dressed as a clown. At home, his family relationships remain strained: his mother sees him as a disappointment, his father as a source of shame, and his fireman brother makes him look irresponsible by comparison. His sister, Lissy, still treats him with affection, but he’s heard rumors that she’s hooked up with a member of a rival gang. Despite his pledges to stay out of trouble, Mags finds that no one believes he’s up to the task. His parole officer tells him, “The life’s not going to let you go so easy.” As hard as that is to hear, Mags knows that it might be the truth. Hoag is a talented writer, summoning Mags’ world on the page with remarkable empathy and detail: “The sidewalks were crammed like a giant flea market—people selling jeans, pots and pans, plastic bags of mango slices….Everything looked familiar and strange at the same time, old and new, I belonged and I didn’t.” Despite a story that feels a bit well-trod, none of the characters seem hastily constructed or come off as clichés. Their pressures and motivations are clearly stated and genuinely felt, and readers will quickly become invested in Mags and his confrontation with an uncertain future. A sense of melodrama flares toward the end as events start to feel less realistic and a little more heightened and Hollywood-ish. But the overall experience is surprisingly nuanced and wholly enjoyable.
A well-crafted, engaging novel about an ex-con trying to break free.Pub Date: Aug. 14, 2016
ISBN: N/A
Page Count: 279
Publisher: Martin Brown Publishers
Review Posted Online: Aug. 4, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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