From the peacock on the front cover to the daffodil on the back, this visual treat will inspire budding artists and poets.
Adults who fondly remember “Who Has Seen the Wind?” will be delighted to introduce a new generation to some of Rossetti’s child-friendly poems.
Bryan brings fresh life to thirteen of the 19th-century British poet’s least dreary and most accessible poems. Vibrant blossoms on the inside covers hint at the fun inside. This is a celebration of nature and language crafted from cut construction paper. Bryan expands Rossetti’s metaphoric images with unconventional color choices that stretch the imagination. For example, the dog in “Pussy Has a Whiskered Face” is tan, pink, gray, and white, while kitty is all the colors of fire: orange, yellow, brown, and red. Human faces are not limited to shades of brown, black, or tan either. The detailed collages add layers of meaning to each short verse. The eight small collages that illustrate “Color” (at just 16 lines, the longest poem) clearly reference each couplet. Regardless of length, each poem is allotted a double spread. Less-familiar poems include “Mother Shake the Cherry Tree,” “Peacock Has a Score of Eyes,” and “Lie-a-Bed.” Carefully placed text guides readers’ eyes, and contrasting type colors help both titles and text stand out against the bright backgrounds.
From the peacock on the front cover to the daffodil on the back, this visual treat will inspire budding artists and poets. (biographical note) (Picture book/poetry. 5-8)Pub Date: April 16, 2019
ISBN: 978-1-5344-4092-0
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
A sweet and endearing feathered migration.
A relationship between a Latina grandmother and her mixed-race granddaughter serves as the frame to depict the ruby-throated hummingbird migration pattern.
In Granny’s lap, a girl is encouraged to “keep still” as the intergenerational pair awaits the ruby-throated hummingbirds with bowls of water in their hands. But like the granddaughter, the tz’unun—“the word for hummingbird in several [Latin American] languages”—must soon fly north. Over the next several double-page spreads, readers follow the ruby-throated hummingbird’s migration pattern from Central America and Mexico through the United States all the way to Canada. Davies metaphorically reunites the granddaughter and grandmother when “a visitor from Granny’s garden” crosses paths with the girl in New York City. Ray provides delicately hashed lines in the illustrations that bring the hummingbirds’ erratic flight pattern to life as they travel north. The watercolor palette is injected with vibrancy by the addition of gold ink, mirroring the hummingbirds’ flashing feathers in the slants of light. The story is supplemented by notes on different pages with facts about the birds such as their nest size, diet, and flight schedule. In addition, a note about ruby-throated hummingbirds supplies readers with detailed information on how ornithologists study and keep track of these birds.
A sweet and endearing feathered migration. (bibliography, index) (Picture book. 5-8)Pub Date: May 7, 2019
ISBN: 978-1-5362-0538-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
Hundreds of pages of unbridled uplift boiled down to 40.
From two Nobel Peace Prize winners, an invitation to look past sadness and loneliness to the joy that surrounds us.
Bobbing in the wake of 2016’s heavyweight Book of Joy (2016), this brief but buoyant address to young readers offers an earnest insight: “If you just focus on the thing that is making / you sad, then the sadness is all you see. / But if you look around, you will / see that joy is everywhere.” López expands the simply delivered proposal in fresh and lyrical ways—beginning with paired scenes of the authors as solitary children growing up in very different circumstances on (as they put it) “opposite sides of the world,” then meeting as young friends bonded by streams of rainbow bunting and going on to share their exuberantly hued joy with a group of dancers diverse in terms of age, race, culture, and locale while urging readers to do the same. Though on the whole this comes off as a bit bland (the banter and hilarity that characterized the authors’ recorded interchanges are absent here) and their advice just to look away from the sad things may seem facile in view of what too many children are inescapably faced with, still, it’s hard to imagine anyone in the world more qualified to deliver such a message than these two. (This book was reviewed digitally.)
Hundreds of pages of unbridled uplift boiled down to 40. (Picture book. 6-8)Pub Date: Sept. 27, 2022
ISBN: 978-0-593-48423-4
Page Count: 40
Publisher: Crown
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
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