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EVERY CAKE HAS A STORY

Whets the appetite for cake rather than reading.

A dream of pastries transforms a town.

In the monochromatic town of Samesville, everything is the same: “black and white and gray.” The only cake on offer is vanilla with chocolate frosting. Sammi, the White protagonist, puts her recipe card under her pillow, makes a wish that “things were NOT the same,” and has a dream filled with riotous color and magical confections—and just like that, the town is awash with bright hues and everyone has the ability to create thrilling baked goods. The title page helpfully adds that the author is “of Milk Bar” (but not so helpfully fails to explain that this is a restaurant chain offering inventive desserts). This perhaps explains why this story feels uncomfortably narrowed in on baked goods—not quite like an advertisement but also not quite a story. There are tremendous leaps of faith required: that a wholly undeveloped character would spontaneously break out of all-encompassing conformity and that putting a recipe card under a pillow could have such transformative effects. To be effective, this setting (reminiscent of the film Pleasantville) requires far more worldbuilding than it’s given, meaning that the emotional tenor is similarly muted. The Wizard of Oz–like transition from black-and-white to rainbow is visually striking but can’t make up for the lackluster storytelling. (This book was reviewed digitally.)

Whets the appetite for cake rather than reading. (recipe) (Picture book. 4-7)

Pub Date: Sept. 21, 2021

ISBN: 978-0-593-11068-3

Page Count: 32

Publisher: Dial Books

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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