Charming and lighthearted with broadly applicable messages of love and acceptance.

WHEN THE BABIES CAME TO STAY

A fable of four babies and how they become dearly loved and a family is created.

Four babies mysteriously arrive on an island: one in the mail, two on a ferry, one in a pile of fishing nets. No one knows where they have come from, who their families are, or what to do with them—but the librarian, a black woman, has a few ideas. Readers will be enthralled with this story as they learn who takes care of the babies, what the babies experience, and how the babies grow into children, loved and cared for by the whole community. Bradley’s enchanting illustrations depict a diverse cast, including people of color among the islanders, babies, and toys, and place it in a well-realized island setting. Details delight, from the lobster-trap cradles to the babies’ alphabetical names. Each baby has its own distinct personality, strengths, and experiences. As the babies grow into older children, they ask questions about where they came from and why they do not look like one another. These are relevant and accurate questions that can be used to open dialogues with child readers to introduce deeper and more serious conversations surrounding adoption. While the fantasy plotline of the babies’ arrivals is whimsical, the story is grounded in an emotional reality that will appeal to and delight children.

Charming and lighthearted with broadly applicable messages of love and acceptance. (Picture book. 3-8)

Pub Date: March 24, 2020

ISBN: 978-1-9848-3545-1

Page Count: 36

Publisher: Viking

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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Comfy and cozy, with nary a meanie in sight.

GRANDUDE'S GREEN SUBMARINE

Following Hey, Grandude (2019), more jolly fun as the title character squires his four young “Chillers” aboard a green sub (where does Sir Paul get his ideas?) to catch up with his partner in adventure: Nandude!

Casting about for something to do on a sweltering day, the multiracial quartet eagerly follows their grizzled White gramps down to an underground chamber where a viridian vessel awaits to take them soaring through the sky to a distant land. There, Grandude’s old friend Ravi plays a tune of Nandude’s that accompanies them after they leave him. It leads them under the sea to an octopus’s garden and a briefly scary tangle with the ink-spraying giant. The monster’s set to dancing, though, as Nandude floats up in her own accordion-shaped ship to carry everyone home for tea, biscuits, and bed in a swirl of notes. Aside maybe from the odd spray of shiny stars here and there, Durst steers clear of sight gags and direct visual references to the film or music in her cheery cartoon scenes. Both she and the text do kit Ravi out, appropriately, with a sitar, but there’s no 1960s-style psychedelia to be seen. Nostalgic adults may be disappointed to see that even the submarine bears no resemblance to the iconic vessel of the film but instead just looks like a plush, smiling toy whale, eyes and all. Children, of course, won’t care. That this book does not try to trade (heavily) on its antecedents makes it a refreshing change from so many other celebrity titles. (This book was reviewed digitally.)

Comfy and cozy, with nary a meanie in sight. (Picture book. 5-8)

Pub Date: Oct. 5, 2021

ISBN: 978-0-593-37243-2

Page Count: 32

Publisher: Random House

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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