Fiery on many levels, Murphy’s uneven debut nonetheless makes her an author to watch.
At a Southern California college campus, rape and sudden death are on the rise.
“If she’s female, start between the legs. Dad taught me that, his hand on mine, the knife between us.” This creepy childhood memory of field-dressing a kill is our introduction to Sarah, protagonist of Murphy’s choppy debut: an uneasy mashup of a druggy campus novel and a feminist revenge thriller, with wildfires blazing and ash raining down in the background. Sarah is about to complete her graduate work in religious studies at the University of California, Santa Teresa; her best friend and party buddy is her classmate Nathan, heir to a pharmaceutical fortune who has taken a vow of celibacy. The UCST campus has a tunnel on whose walls the names of students who have died over the past few academic years are graffitied, continually updated and restored after each official whitewashing. Next to the names are notations: “miss you, love you” and sometimes “rapist.” Just a few pages in, Sarah will have to add Nathan’s name to the list, as she finds him dead in his bed with a needle in his arm. But it’s the wrong arm and the wrong drug, so she suspects foul play. Maybe the student who violently raped her a few years ago, known only as Rapist? Maybe his sidekick, Flopsy, who mouths curses and spits at her whenever he gets the chance? There are many rapes and rapists in this novel, and the theme of rape culture is yoked to a wild horse of a plot that rockets from a visit with Nathan’s ethereal, fabulously wealthy sister, to a data-hunting expedition in a Title IX office, to a job talk at an academic conference, to a bizarre twist near the end that seems like it could be from another book entirely.
Fiery on many levels, Murphy’s uneven debut nonetheless makes her an author to watch.Pub Date: Feb. 25, 2025
ISBN: 9780593801499
Page Count: 288
Publisher: Knopf
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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