Intimate portrayals of darkness told in Schutt’s tight and affecting prose.
Ten stories and a novella that give us oblique glimpses of tragedy.
Schutt’s (Prosperous Friends, 2012, etc.) distinct and economic style is on full display throughout this slim collection. She makes use of parentheticals frequently. In “The Duchess of Albany,” the main character recalls her late husband’s old age in an off-camera, single-sentence scene: “(Owen at the long table, saying to the ringing phone, ‘Go away, people. Leave us alone,’ and people pretty much did).” Schutt offers surprising reminders of the ghastly and gruesome that are never too far away. The second and penultimate stories, "The Hedges" and "Oh, the Obvious," feature accidents that occur on vacations. In each, the narrative perspective makes the reader essentially a bystander witnessing terrible, even fatal, events that befall a stranger. In “Where You Live, When You Need Me?” a mother recounts the summer when Ella, a much-needed babysitter, appeared out of nowhere. “Everyone shared Ella. She had work every day if she wanted.” Nobody ever even knew Ella’s last name, and this was no innocent time of naiveté. Indeed, this was 1984, “the summer when little parts of little bodies turned up in KFC buckets in Dumpsters in the city.” The title piece, the novella, layers the tragedy. We open on a California wildfire and then meet Mimi, a young, recent widow of a famous comedian who was four decades her senior. We see Mimi relive her own troubled childhood before she becomes an unintentional witness to another family’s tragedy. Through this, the novella—like the collection—maintains a dark wit that keeps it buoyant. In a tense conversation with her late husband’s son, Mimi is asked, “What did you and my dad ever have in common?” She answers with the perfect punch line, “He didn’t really like his kids and neither do I.”
Intimate portrayals of darkness told in Schutt’s tight and affecting prose.Pub Date: March 13, 2018
ISBN: 978-0-8021-2761-7
Page Count: 144
Publisher: Grove
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
In this haunting debut, Bumas explores the defining of relationships and how the quality of human intimacy reveals much about the places we call home. All eight stories in this collection lend an ethereal element to situations that at first glance seem familiar, depicting men and women attracted and confused by friends and lovers and who find themselves equally lost in their given time and place. As the characters struggle with conflicts that range from forbidden sexual attraction to making a new best friend to unplanned pregnancy to expressing solidarity with Chinese students shortly before the uprising at Tiananmen Square, the question of where and how we live in Manhattan's East Village, a provincial Chinese city, and a conservative college campus become inextricably linked. Sometimes a story revolves around the importance of human relationship and demonstrates that without it, any possible connection to society at large, the psyche of the population, even culture and history and hope for the future, is thwarted. For example, a young Western scientist studying water quality in canals in Hangzhou, China, likes to think of this small city as a home she has come to know well; but when a Chinese co-worker she feels especially close to gets relocated for suspected sexual involvement with her, the customs, food, and the purposefulness of her work become inconceivably foreign (``Head in Fog on Water''). At other times, it is the success of a human relationship that makes an environment bearable: A gay man poses as his lesbian friend's fiancÇ to get her through a sticky family gathering (``Your Cordially Requested Presence''). Bumas woos with strong characters, wry tones, political complexity, and a unique voice. This collection doesn't bowl you over—it gets under your skin.
Pub Date: Dec. 1, 1994
ISBN: 0-87023-930-9
Page Count: 208
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
A flat, emotionless style deadens the impact of this debut collection of short stories and a novella. Nasty and neutral men (and boys) people these stories, but a good one is hard to find. In ``Starkweather's Eyes,'' the narrator remembers the time shortly after his father left him and his mother in Nebraska, where a serial killer roamed. Carroll is ``Babyman,'' a con artist who impregnates women in order to sell the resulting children. The narrator of ``What Hurts the Fish,'' a boy spending his days with a woman named Evelyn—who wears a special prosthetic shoe because she was dropped and crippled as a baby—starts out sentimentally (``I love Evelyn, but I'm afraid of her shoe''), but soon shoots another boy in the eye with a BB gun and hides what he has done. Condon's female characters are equally unfeeling. In ``Coffee,'' a woman whose father called her ``sex-sick'' when she got pregnant at 18 coolly has sex with a man her now 11-year-old son met at the beach. ``The Velvet Shelf'' shows Natalie responding to her boyfriend being brought to her door by the police (he buried her puppy after it was run over by a car, then went back to dig it up, fearing that he'd buried it alive) by taking it as an opportunity to break up with him. There is plenty of violence too. In ``The Emptyheart Boy'' a recently divorced man listens to his female neighbor being abused by three low-lifes without doing anything, even when his girlfriend urges him to, because ``down deep I was afraid of people, period.'' The short novella ``River Street'' follows a drifter to a sleazy motel where he is attacked and raped. Too macho for its own good.
Pub Date: Dec. 9, 1994
ISBN: 0-87074-372-4
Page Count: 240
Publisher: Southern Methodist Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
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