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In this haunting debut, Bumas explores the defining of relationships and how the quality of human intimacy reveals much about the places we call home. All eight stories in this collection lend an ethereal element to situations that at first glance seem familiar, depicting men and women attracted and confused by friends and lovers and who find themselves equally lost in their given time and place. As the characters struggle with conflicts that range from forbidden sexual attraction to making a new best friend to unplanned pregnancy to expressing solidarity with Chinese students shortly before the uprising at Tiananmen Square, the question of where and how we live in Manhattan's East Village, a provincial Chinese city, and a conservative college campus become inextricably linked. Sometimes a story revolves around the importance of human relationship and demonstrates that without it, any possible connection to society at large, the psyche of the population, even culture and history and hope for the future, is thwarted. For example, a young Western scientist studying water quality in canals in Hangzhou, China, likes to think of this small city as a home she has come to know well; but when a Chinese co-worker she feels especially close to gets relocated for suspected sexual involvement with her, the customs, food, and the purposefulness of her work become inconceivably foreign (``Head in Fog on Water''). At other times, it is the success of a human relationship that makes an environment bearable: A gay man poses as his lesbian friend's fiancÇ to get her through a sticky family gathering (``Your Cordially Requested Presence''). Bumas woos with strong characters, wry tones, political complexity, and a unique voice. This collection doesn't bowl you over—it gets under your skin.

Pub Date: Dec. 1, 1994

ISBN: 0-87023-930-9

Page Count: 208

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1994

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It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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The thirty-one stories of the late Flannery O'Connor, collected for the first time. In addition to the nineteen stories gathered in her lifetime in Everything That Rises Must Converge (1965) and A Good Man is Hard to Find (1955) there are twelve previously published here and there. Flannery O'Connor's last story, "The Geranium," is a rewritten version of the first which appears here, submitted in 1947 for her master's thesis at the State University of Iowa.

Pub Date: Jan. 1, 1971

ISBN: 0374515360

Page Count: 555

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1971

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