Bleak, suspenseful writing keeps the momentum high despite a surfeit of characters and contrivances.
Thirteen years later, a young woman who survived the slaughter of her family returns to the scene of the crime.
Her name was Esme, and she was nearly 14. She had a mum and a dad, 8-year-old twin sisters, and a big brother named Joe—until the night she went down from her bedroom and found them all shot with a rifle. Now her name is Alison. She works in accounting at a publishing house in London and has no family at all, except a father in an institution—a vegetable after the botched suicide attempt that followed the murders. Kent's (The Killing Room, 2015, etc.) latest psychological thriller opens as Alison's boyfriend, Paul, invites her to attend a wedding in her old hometown of Saltleigh. " 'The wedding's on Saturday but I thought we'd go a few days ahead of time. Tuesday,' said Paul, his voice warm now, reassured. 'Make a, you know, a little holiday of it.' " It won't be much of a holiday, actually, as the many dark secrets of this "poxy little dump" of a village spill out and new crimes begin to pile up as soon as they arrive. Alison's tragedy was one of many: there was a baby who died in an electrical fire, a boy killed in a hit-and-run, a girl with leukemia, a pedophile, an assortment of drunks and suicides. As soon as Alison gets to town and her cover begins to crumble, she runs into her old best friend, the detective who investigated the case, and other townspeople who pop in to offer clues and accusations. Just about everyone knows things about Alison's family that she does not. Meanwhile, her boyfriend has a disturbingly close friendship with the bride-to-be.
Bleak, suspenseful writing keeps the momentum high despite a surfeit of characters and contrivances.Pub Date: Jan. 12, 2016
ISBN: 978-0-374-13182-1
Page Count: 368
Publisher: Sarah Crichton/Farrar, Straus and Giroux
Review Posted Online: Sept. 22, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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