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FULL CYCLE

An uplifting, freewheeling ode to the bond between a parent and child.

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A father and son attempt the bike ride of their lives in this inspirational novel. 

Alex Peterson is like most 11-year-old boys—he just wants to be included, to hang out with his friends, and be like his brother, a great baseball player. But his disability, a leg injury from a tree-climbing accident, holds him back from the latter, so he mostly stays at home and composes music. At school, he deals with bullies and mockery all day long. One day, he learns about the STP, a 200-mile, single-day bike ride that takes riders from Seattle to Portland, Oregon. He quickly becomes obsessed with the idea of completing the race, despite the obstacles he faces. Alex’s father, Rob, was once a competitive cyclist, but gave up on it long ago. Fortunately, his son’s passion for the sport slowly revitalizes his interest, and the two decide to make the journey together. However, getting Alex up to speed for such a race proves to be difficult, and he and Rob nearly succumb to a series of trials along the way. Alex won’t quit, though, because he’s determined to accomplish something that “not a whole lot of other people in the world have ever done.” Blunt’s (Passport, 2008) background as a cyclist is unsurprising, because he writes about riding in a way that shows his clear love for the sport. More importantly, though, he paints Alex as a fully fleshed-out character—a person in pain with hopes and dreams, as well as the perseverance to fulfill them. Rob’s well-developed back story and Alex’s drive combine to make a powerful cocktail, and it’s wonderful to watch the father-son duo reach new heights together. Overall, it’s an inspiring story that spans generations.

An uplifting, freewheeling ode to the bond between a parent and child.

Pub Date: March 4, 2016

ISBN: 978-0-9766596-4-8

Page Count: 306

Publisher: Pelican Crossing Press

Review Posted Online: Feb. 13, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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