A compelling, immersive memoir of crime, punishment, and the redemptive qualities of love and atonement.
A cathartic memoir retracing the lives of the real men behind The Falcon and the Snowman espionage chronicle and the 1985 movie it inspired.
A trio of authors contributes to this historical narrative, which charts the later lives of falconer Christopher Boyce and his boyhood friend Andrew Daulton Lee, both of whom were convicted of delivering classified government documents to the Soviet Union in the mid-1970s. In the introduction, co-author Boyce, “far older than my sixty years,” offers his own first-person version of the events, including his treachery and “self-destructive descent into hell” after working at the National Security Agency and learning of duplicitous governmental actions against an international ally. He then explains how he was caught and sentenced to 40 years in prison (Lee received a life sentence). As compelling as this intimate opening treatment is, the remainder of the book is curiously dictated from the alternating perspectives of both Christopher and Cait Boyce beginning in 2005 and, via a meandering timeline, culminates with a where-are-they-now epilogue and a generous photo gallery. In vivid chapters brimming with immediate, unfettered narration, Boyce and wife Cait share the stories of their lives pre- and post-conviction. Readers learn the fascinating, intricately plotted details of Boyce’s daring escape from Lompoc Federal Penitentiary in 1980, his intention to fly in and break Lee out by helicopter, his recapture, and the horrifically violent and dehumanizing prison conditions he endured while locked away in a “concrete womb.” Boyce also interjects passionate testimony from his days as a security communications engineer as well as the reasons he betrayed the nation. His prison release in 2002 was orchestrated with Cait’s determined efforts, even though she initially only set out to achieve parole for Lee. Cait ended up triumphantly freeing both men and falling in love with Boyce as well, despite her devastating cancer diagnosis and subsequent treatment. Fans of true crime will be riveted by the ultimate destinies of both men, though Lee’s journey isn’t afforded the same scrutiny as Boyce’s.
A compelling, immersive memoir of crime, punishment, and the redemptive qualities of love and atonement.Pub Date: Feb. 13, 2014
ISBN: 978-0-9915342-1-0
Page Count: 354
Publisher: Vince Font, LLC
Review Posted Online: Aug. 24, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
