From the battlefields of the South to the spas of Europe to the fiery destruction of Coney Island, Bram (Gossip,1997; The...
A deeply felt novel about the “crimes” of love that ultimately brings fresh meaning to that tired phrase “family values.”
Stranded down south at Civil War’s end, orphaned, 16-year-old New Yorker Augustus Fitzwilliam Boyd meets up with Isaac, a soon-to-be-former slave. Heading north, the two pause in an abandoned house with a piano, where Fitz discovers not only his “music of the spheres” (which comes to him automatically at the piano) but his love for Isaac. In New York, Isaac finds work with a Jewish carpenter who has no qualms about his race, while Fitz works as a musician in a brothel. They live together as lovers (under the pretext that the black man is the white’s servant), but Isaac, obsessed with their “sin,” dreams of marrying and having children. When their physical relationship ends, Fitz has an affair with a society gentleman who introduces him to rich socialites longing for word from beyond the grave of their war dead. The act is only partly a con—Fitz truly believes in his otherworldly muse—and the socialites buy into it wholeheartedly. Soon, he takes the more impressive name of Dr. August and with Isaac as his manager embarks for Europe. There, Isaac marries a prim, brittle, white governess, Alice Pangborn, who bears him two children. (Blind, elderly Fitz, dictating to Isaac’s son, is narrating.) After life goes disastrously awry, Isaac, filled with remorse over a tragic household event and guilt over the plight of his race back home, where lynching is epidemic, disappears. Fitz and Alice return to New York—vastly changed since their departure—to live, work, and raise the children together.
From the battlefields of the South to the spas of Europe to the fiery destruction of Coney Island, Bram (Gossip,1997; The Father of Frankenstein, 1995, etc.) conjures up a historical world true to itself, one that lingers in the mind like the final strains of an unforgettable symphony.Pub Date: June 1, 2000
ISBN: 0-688-17569-4
Page Count: 512
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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