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FINN

A novel to be savored more than once, written with the same languorous, rumbling passion of Paul Newman and Joanne...

Looking behind propriety’s lace-curtain gentility into the hardwoods of sin, Brookhouse (Loving Ryan, 2010, etc.) offers pure Southern noir. 

It’s 1960, and Francis Finnegan Butler is approaching 30 when Belle, widow of Judge Timon Spier, dies. Called Judge since he "was too big for his britches because he had money and power and didn’t have to sully himself with practicing law," Judge raised Finn after the 14-year-old boy was abandoned by his mother, even sending him to a prestigious local school, the Academy. Now Finn teaches there, and he's voted to admit the school's first black student. That upsets Delia, the oldest Spier sister, but it doesn’t matter to Annabel, next youngest, nor Caroline. Brookhouse writes memorable characters: cleareyed Finn, of course, and Annabel, who seduced him at 15 and still lures him to bed; Henry Broken-ground, an Indian full of secrets; Erskine, jaded yet progressive newspaper editor; Danielle, his reporter, who loves Finn enough to wait out his fascination with Annabel; Buck, a hick Bull Connor, who inherited his daddy’s sheriff’s office; and Lester and Tracy, lawyers who unlock the mysteries of Schilling Club and a fur coat flaunted by a cross-dressing pastor. The plot follows the impending school integration, with Finn’s house burned and threats rumbling, but like mist in the pines, the mysteries binding Finn and the Spiers together hover over the tale. Delia bars Finn from Red Sticks, the family mansion, but Finn can't rest until he understands why his mother abandoned him and why the Judge gave him a home. A layered work, mottled and shifting like visions through antique glass, shadowed by ever lurking violence, as if written by a Southern-born Jim Harrison.

A novel to be savored more than once, written with the same languorous, rumbling passion of Paul Newman and Joanne Woodward’s film The Long Hot Summer.

Pub Date: March 15, 2015

ISBN: 978-0-9798226-5-0

Page Count: 122

Publisher: Safe Harbor

Review Posted Online: Jan. 7, 2015

Kirkus Reviews Issue: Jan. 15, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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