A chatty and ultimately brittle second novel (after Coe's I Love Devine, 1987) about a gay man and his two lovers in the age of AIDS. Coe tells his story through a series of flashbacks, taking readers on a tour of the unbridled gay sex scene of the 70's and early 80's. Timothy, the discursive and self-conscious narrator, a self-described ``pansy bitch of the world,'' knocks his way around Manhattan's bathhouses and sex clubs and learns some brutal lessons (e.g., he always goes to other men's houses for sex because ``no man is apt to kill you in his house, where he would be obliged to get rid of the body''). Eventually, Timothy befriends two older, more sophisticated men—Jasper, who becomes his longtime lover, and Dominick. The bulk of the story is Timothy's frivolous and onrushing account of the ``splendid'' meals, sex, and travel he and his lovers once enjoyed. (None of these characters appears to be employed in any fashion, but they live fabulously nonetheless.) Meanwhile, Timothy's faux sophistication is often cloying: ``I upgraded to first class and ranted when a negroni could not be provided. I bitched about the champagne, hissed at the stewardess that I despised Dom Perignon.'' The book takes a more serious tone when, later, the specter of AIDS looms. Jasper dies, and Dominick falls ill. When Timothy discovers he's HIV-positive, he wanders the streets, scanning faces for ``signs of illness.'' He half expects to see ``thousands of men looking like Rock Hudson, with those same frightened eyes.'' It all ends on something of an upbeat note—when Timothy decides to take his infection as a challenge to live more fully. By this point, though, most readers will be exasperated by Coe's tone-deaf prose. Timothy has an awful disease, but in the end he's too much of a twit to care about deeply.
Pub Date: Aug. 31, 1993
ISBN: 0-15-186426-8
Page Count: 344
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1993
War is hell in this novel of inspired absurdity.
Hailed as heroes on a stateside tour before returning to Iraq, Bravo Squad discovers just what it has been fighting for.
Though the shellshocked humor will likely conjure comparisons with Catch-22 and Slaughterhouse Five, the debut novel by Fountain (following his story collection, Brief Encounters with Che Guevara, 2006) focuses even more on the cross-promotional media monster that America has become than it does on the absurdities of war. The entire novel takes place over a single Thanksgiving Day, when the eight soldiers (with their memories of the two who didn’t make it) find themselves at the promotional center of an all-American extravaganza, a nationally televised Dallas Cowboys football game. Providing the novel with its moral compass is protagonist Billy Lynn, a 19-year-old virgin from small-town Texas who has been inflated into some kind of cross between John Wayne and Audie Murphy for his role in a rescue mission documented by an embedded Fox News camera. In two days, the Pentagon-sponsored “Victory Tour” will end and Bravo will return to the business as usual of war. In the meantime, they are dealing with a producer trying to negotiate a film deal (“Think Rocky meets Platoon,” though Hilary Swank is rumored to be attached), glad-handing with the corporate elite of Cowboy fandom (and ownership), and suffering collateral damage during a halftime spectacle with Beyoncé. Over the course of this long, alcohol-fueled day, Billy finds himself torn, as he falls in love (and lust) with a devout Christian cheerleader and listens to his sister try to persuade him that he has done his duty and should refuse to go back. As “Americans fight the war daily in their strenuous inner lives,” Billy and his foxhole brethren discover treachery and betrayal beyond anything they’ve experienced on the battlefield.
War is hell in this novel of inspired absurdity.Pub Date: May 1, 2012
ISBN: 978-0-06-088559-5
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.
Glück’s international reputation as an accomplished and critically acclaimed contemporary poet makes the arrival of her new volume an eagerly anticipated event. This slender collection meets these expectations with 44 poems that pull the reader into a realm of meditation and memory. She sets most of them in the heat of summer—a time of year when nature seems almost oppressively heavy with life—in order to meditate on the myriad realities posed by life and death. Glück mines common childhood images (a grandmother transforming summer fruit into a cool beverage, two sisters applying fingernail polish in a backyard) to resurrect the intense feelings that accompany awakening to the sensual promises of life, and she desperately explores these resonant images, searching for a path that might reconcile her to the inevitability of death. These musings produce the kinds of spiritual insights that draw so many readers to her work: she suggests that we perceive our experiences most intensely when tempered by memory, and that such experiences somehow provide meaning for our lives. Yet for all her metaphysical sensitivity and poetic craftsmanship, Glück reaffirms our ultimate fate: we all eventually die. Rather than resort to pithy mysticism or self-obsessive angst, she boldly insists that death creeps in the shadows of even our brightest summers. The genius of her poems lies in their ability to sear the summertime onto our souls in such a way that its “light will give us no peace.”
A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.Pub Date: April 9, 2001
ISBN: 0-06-018526-0
Page Count: 80
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
BOOK REVIEW
BOOK REVIEW
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